About FOOTPRINTS IN THE BAJRA (Cedar Books, New Delhi); By Nabina Das

"Fittingly for a poet, Nabina’s novel also has a strong lyrical core. 'Footprints in the Bajra' takes the homely image of the millet field as its central metaphor. ... But the novel is less a thriller about guerrilla action than a subtly colored character study of a fascinating group of individuals who intersect at various points in their lives ..." -- DEBRA CASTILLO, author, editor and distinguished professor (Cornell University, April 17, 2010).

**
Footprints in the Bajra is a serious book that moves at a smart uncontrived pace. It voices deep concerns about how and why the deprived and the marginalized in certain parts of our country join the Maoist ranks; how they adopt desperate and often terrible measures to wrench justice and to make their voices heard... a confident debut novel, a good read, which will leave you with plenty to mull over. -- PRITI AISOLA, author (See Paris for Me, Penguin-India, 2009) in DANSE MACABRE XXXIV.

**
In her debut novel, Nabina Das writes about an India where social divides stand taller than multistoried shopping malls. Footprints in the Bajra, inspired by what she saw while touring the interiors of Bihar as part of a travelling theatre group, inquires into why the Maoists have an influence over a large section of Indian society. Das talked to Uttara Choudhury in New York about her book, and its protagonist Muskaan -- DAILY NEWS AND ANALYSIS, Mumbai, March 28, 2010.

**


"The interspersion of references from both the West and India do not clash. Shakespeare and Lazarus as reference points are brought in with ease, as also Valmiki and Goddess Chhinnamasta, and nothing jars ... The language is poetic and creates visual images of beauty and ugliness side by side." -- ABHA IYENGAR, poet (Yearnings: Serene Woods, 2010) and fiction writer in MUSE INDIA, May-Jun 2010


**
Shwetank Dubey says Nabina Das ably recreates the milieu of Maoist-infested regions of India -- Nabina Das has chosen the first person account of narrating a story from the main characters of the novel, Nora the sheherwali (urban dweller), Muskaan the rebel, Suryakant Sahay the crafty clandestine planner and Avadhut the frontrunner of all the operations... the book deals with something that no urban resident is bound to know on his own — the life and times of people living in Maoist infested areas and why do they give in to the temptation provided by the Red Brigade. -- PIONEER newspaper, April 25, 2010.
**
'"If you misrepresent them, they'll abduct and kill you," says Muskaan, our hostess'... goes the first line with which Nabina Das settles everything about her novel -- style, subject and pace... Excellent plotline. Wonderful detail. A beautifully crafted book. -- Karunamay Sinha; THE STATESMAN, Sunday supplement "8th Day", May 16, 2010.
**

"This is bitter-sweet, if a rather longish tale of a modern-day Maoist revolution and the seeds of destruction and betrayal that lie embedded in it." -- Business World, May 17, 2010
Showing posts with label short story. Show all posts
Showing posts with label short story. Show all posts

Tuesday, February 2, 2010

Short Fiction "ABOUT ARIBAM" in Inertia Magazine 8

I have a short story published in Inertia Magazine -- ABOUT ARIBAM.

After clicking on the story title, see my name listed under 'fiction' on the left-hand bar and click for the text.

A bit of backgrounder: I used to work as the media coordinator for National Foundation for India, a grant-making body in India directly funded by Ford Foundation. We indeed had a media program that I took over from a wonderful senior, and ran my flagship media conference one time in Shillong, a beautiful city and capital of the northeastern state of Meghalaya in India.

I indeed met my protagonist at that conference. But this is largely fiction that showcases those moments of life that fail to provide any explanation about their rationality or exactitude of occurrence. And given that I am a neighbor of Manipur and it's beautiful people, something spurred me to write this piece.

Do enjoy the story and tell me what you think!

Image from Inertia Magazine cover, Issue 8, February 2010.

Monday, October 12, 2009

THE FARRIER- A Short Story

THE FARRIER (First published in The Cartier Street Review, April 2009)-By Nabina Das

Was Russet to live her life between the legs of horses? She could get kicked sometime, although I’m sure Russet never expected that. It’s a job she had for a long time. Russet had big hands. Her hair cut like a duckling’s tail caught in a twister. She was a farrier. With an uncommon but musical name – Russet. That’s what she told me.

We spoke while rummaging through old books on sale downtown where they’d let us take a bagful for a dollar. Shivering in the line outside on the cold concrete, for it was late November in this little Upstate New York town, I rubbed my bristly palms inside fleece gloves to a frigid drop falling from above, listening to the drone of a man explaining to someone the intricacies of a Russian fireplace. Once inside, we rummaged and I saw she held this Alberto Moravia I wanted, Two Women. Like a predatory animal I eyed her. Silently pointed towards the Moravia. She eye-browed towards the flat thin book I was holding.


“Horses.” She said. “You like horses?”



“I don’t mind them.” I said. Why talk of horses? This isn’t a farm fest. It’s a book sale.



“You’ve a horse here,” she said, leaning over and touching the book I was holding. Tock tock. She knocked on the cover twice.

The flat thin cover indeed had a horse snorting in a yellow-green cornfield. I had no idea if horses liked corn. Suddenly it hit me why horses were the topic.




“Okay,” I said, sheepishly. She handed my book to me. “This is about women,” I explained.

“You like women?” She asked the same way she had asked if I liked horses.




Yes. No. What do I say? I’m a man! I nodded. I liked women only because they are there, all around. Not in the same way I’d adore a race car. It was tough to explain.

“He’s a European writer, this Moravia. He must like women a lot … he writes a lot about them,” I said.




“In Europe they make cheese at home,” she said tilting her funny looking head to one side. “They also name their women Nana.”

“No, that’s Zola.” I said, trying to be polite, adding, “A writer by the name Zola called his heroine Nana. In fact, his book is called Nana.”




At that point she abruptly announced that she was a farrier.


“What’s that?” I was sure I had heard the word but I’d never met a farrier before.



I noticed she had big hands, a bizarre hairstyle, plus she walked with webbed gait and the stolid expression of a bored farm animal.



“Russet,” she said, holding out her right hand.


I thought she was talking about the evening sky, which we couldn’t see it from inside this book-filled musty hall.



“Fall evenings are great, especially evenings,” I said. “Do you take walks with your horses on russet evenings?”


She looked at me as if I were a silverfish worm who eats away old book pages. Tiny slithering insects you want to thrash whack whack whack, until you’re satisfied not a single one exists among your priceless collection.



“I spend most evenings working with horses,” she said. “And my name’s Russet.”


I squirmed like that silverfish worm. Oh, that was her name.



Before I could say my name she spoke about the evenings she had spent under and between horses’ legs, shoeing them. This triggered some strange scenes in my mind. Horses’ legs were spindly and long. Not human-like. They even had hooves. Russet could get kicked. Between human legs it was different. Humans didn’t require shoeing. Still one could get kicked, even with humans.


“But of course,” she said. “I could get kicked even between human legs!”



I didn’t comment. We roamed the hall filling our plastic bags. I noted her choice of books about farming and automobiles. She told me she drove an old truck and managed a farm alone. I pictured this slightly Mohawk-haired woman on a farm, grime and mobile oil all around, the hay smelling of horseshit, and her banging thud thud thud on a horseshoe.


“You do that for a job?” I said. “Shoe horses?”



These were horses whose owners found them too old or useless, she explained. Farm horses that’d never again pull carts. Racehorses discarded after they got burnt out. Show horses whose mane grew coarse. Russet made them shoes to walk in and gallop and play and she didn’t mind as long as they didn’t roll on rain-soaked hay for her to clean too often. There were days when she drove to the city to browse shops. She wore her old work jacket because she had no dates these days. Her twister-caught hairstyle didn’t have to be trimmed because there was no one to appreciate. Coming to rummage book sales was the only thing she had permitted herself in a long time. Books made her put aside her grubby boots and stack away her ‘Fresh Corns’ sign at the roadside. Driving down the winding road, doing a casual fifty-five over the forty-five-mile per hour, swerving by blackened squirrels stuck on the yellow dividing line, she came down here for books. Meanwhile her horses lounged or dozed on fresh hay that had been spread out that morning while waiting to feel her big hands. They enjoyed sniffing her and responded in charged hee hee hees. While she worked between their spindly legs, hay stalks cut her fingers, mosquitoes bit her buttocks and ear lobes, and sawdust rose in little clouds due to hammering and hitting. And the horses neighed happily. What if the horses kicked her head or chest, I imagined, shuddering.



“I like it alone,” she said.



She had a man for six months. A man who preferred worn out camel leather gloves in winter and a lime-stained jacket smelling of wood rabbits. He didn’t like horses. “A farrier’s job doesn’t pay,” he grumbled. He wanted to sell horses, the cornfields and the truck to go do city jobs. He drank and fell asleep when she was off to town doing chores. The horses went hungry many times and the two fought bitterly.


“It had to be him or the horses,” she said. “I chose my horses.”



Her four-legged friends – brown and mustard and chestnut, a few velvety black, were joyous about that decision. Russet’s horse book reminded me of Le Cheval Blanc where the white horse looked painted green. Maybe Gauguin too had lived near a green cornfield.


“What’d your type of women do in this situation?” Russet asked me abruptly.



‘Your type’ sounded like she belonged to another world. This was my chance to tell her about my world, a college professor’s world. Well, my kind read made-up tales. Zola, Moravia. Normally, my type of women would want to keep a man. They’d try very hard. Shop for pretty dresses, colors for their cheeks and tiny shoes – human shoes – to please their man. For a man they’d re-do their entire life.


“Of course, they wouldn’t know the difference unless they kept horses for a few years,” I said. Quasi-apologetic.



She eyed my trimmed hair, my pleated professorial pants and my leather moccasins, my cheeks still fragrant from my morning shave. I knew she could smell my powdered chest – we stood so close– and feel my elbow brush her hard sides. Her eyes were wide realizing that a man like me, a reading and college-teaching type, was not someone she usually met. That hurt me. I pined to tell her I loved hay, but on a painted canvas. And horses were okay as long as I didn’t have to wash or shoe them. Le Cheval Blanc wasn’t to be touched and sullied.


“Yeah, it’s different elsewhere,” she said, as if farriers lived by a separate book.




I tried convincing her otherwise, this woman with big hands who could be made to feel good and wanted. A woman named Russet, like the fall evening. Our plastic bags were full and we’d part having spent only one dollar a bag. The conversation was several more bags full.



“Mind if I invite you?” She threw the words out of her mouth with the invisible stuff she was chewing. “Bring your Moravia book to my farm. Will ya?”




I stood on the wintry sidewalk not saying anything. Her truck spewed smoke in a volley of vroom vroom vroom.



She yelled: “Can I call you Vandyke, after one my horses?”




“My name’s Ludwig,” I yelled back and saw her gesture.



“Where did you get that? That’s a horse name too!”




Suddenly unspoken warmth surrounded me. Ah, she was joking. In a good way. All my life I thought my parents were silly to name me like that. As if they knew for sure I was gonna be a sad little professor.



The women in my life and in the books I read kept cats or dogs. Fluffy, silky creatures bathed in lavender shampoo. Coats combed to a perfect gloss, fancy ribbons tied round their necks. The women talked to them in foreign tongues – oh mon petit chou. Made love while their pets watched. None of them lived by a cornfield and heard neighs all night. Alone.




“So long Vandyke!” Russet sped up.



The pickup disappeared around the bend. A russet sun gobbled it up. Her hammer striking new metal, raw and chiming, the farrier would have a visitor soon.



**


Please download a high resolution print quality PDF file for only $2.50 at CSR April 2009 Edition



Image from the Internet

Monday, April 20, 2009

"THE FARRIER": Short fiction in The Cartier Street Review

My short fiction THE FARRIER has come out in The Cartier Street Review, April 2009 edition. Read at:


http://thecartierstreetreview.blogspot.com/2009/04/april-2009-edition.html




Cover Image by Chris Labrenz, The CSR, Apr 09


Bernard Alain, Ottawa, Canada, is Principal Editor (blog site). Joy Leftow, New York, NY, is Production Editor (blog site). The Cartier Street Review is a not-for-profit magazine. 50% of all net revenues go to a children's charity.

Please support this month's charity by downloading a high resolution print quality PDF file at: CSR April 2009 Edition


Excerpt from my story below:

**

"The Farrier "


Was Russet to live her life between the legs of horses? She could get kicked sometime, although I’m sure Russet never expected that. It’s a job she had for a long time. Russet had big hands. Her hair cut like a duckling’s tail caught in a twister. She was a farrier. With an uncommon but musical name – Russet.


That’s what she told me.

We spoke while rummaging through old books on sale downtown where they’d let us take a bagful for a dollar. Shivering in the line outside on the cold concrete, for it was late November in this little Upstate New York town, I rubbed my bristly palms inside fleece gloves to a frigid drop falling from above, listening to the drone of a man explaining to someone the intricacies of a Russian fireplace. Once inside, we rummaged and I saw she held this Alberto Moravia I wanted, Two Women. Like a predatory animal I eyed her. Silently pointed towards the Moravia. She eye-browed towards the flat thin book I was holding.

“Horses.” She said. “You like horses?”


“I don’t mind them.” I said. Why talk of horses? This isn’t a farm fest. It’s a book sale.



“You’ve a horse here,” she said, leaning over and touching the book I was holding. Tock tock. She knocked on the cover twice.


The flat thin cover indeed had a horse snorting in a yellow-green cornfield. I had no idea if horses liked corn. Suddenly it hit me why horses were the topic.



“Okay,” I said, sheepishly. She handed my book to me. “This is about women,” I explained.


“You like women?” She asked the same way she had asked if I liked horses.Yes. No. What do I say? I’m a man! I nodded. I liked women only because they are there, all around. Not in the same way I’d adore a race car. It was tough to explain.



Read more at Current Issue (April 2009)

Wednesday, March 25, 2009

TARA GOES HOME-excerpt from my short story published in INNER VOICES (Mirage Books, India)


(This is an excerpt from my story, a rather large one! I am hoping reader friends would buy a copy of Mirage Books' new contest-winning fiction writers' collection titled INNER VOICES from amazon.com or rediff.com and read several other fantastic writers, among them Sophia Carmalin and Farahdeen Khan, friends of mine...)

As Tara floats in and out of consciousness, strange sounds keep streaming out as if from a different world. Their reverberations keep pouring over her inert body. It all rings in her head, then forces her to wake up. Why is she lying down? She tries remembering. What had happened?

Rumbling raucously the bus she was travelling in had suddenly come to a yelping halt. She faintly recalled her teeth almost got shattered on the seat ahead. Yes, her mouth ached like hell now. The woman behind, the one with the kid, had tumbled off and hit a metal post next to where Tara fell. Incoherent screams rose around her. Seemed the bus had hit something and tilted to one side. Tara even tugged at the fallen woman’s feet trying to help but the boy lurched on to her lap, crying. Then a tumbling human pile further flattened her. Oh God!


Tara finally comes around, a bored female voice invading her consciousness: “Madam, you’re at the government hospital. There are people inquiring after one Tara from Shahdara. Are you Tara Chibber?”

Yes, she is.

Dizzy images of faces contorted in muffled cries and machines humming ominously in the room crowd her tired eyes.
**
This evening had discovered a new resolute Tara. She finally chose this date on the dog-eared calendar and hopped out with it. A gamble. Surprised at her own ability to wriggle out from her joint family cocoon to reach out to something or someone. Still a little shell-shocked by her own audacity, Tara realised that she’d have to pick a destination or else the bus driver would think Tara’s crazy, sitting on this loop-route like someone’s forgotten piece of belonging. The driver wouldn’t know why she was here or what happened to her when things happened.


There was nothing new in Tara’s routine. No one noticed her anymore in the house. Only a clock on the shelf top nodded in a familiar tick-tock to her. The tacky old Delhi neighbourhood never seemed to get a makeover. Same lifeless saris drying from paint-chipped balconies, same suffocating incense wafting off, and same footsteps on broken stairs while she wandered indoors. Curtains hanging from window brackets danced absentmindedly while she warmed her dinner plate alone. Sat before the television watching news. The room freshener, rose or jasmine, didn’t change either. Not surprising. She’d been living with these sorts of details for unnumbered days.
**
Tara looked around inside the bus. Office folks were gone. Others were likely out to shop or pay visits. She too could go meet an old friend, call on a relative or shop somewhere. Only, it wasn’t as easy. She rarely went out on her own.
Meanwhile, darkness was descending upon the city like a mushroom, spongy and patchy with fog. Twinkling city lights began appearing, deepening the falling evening. First a hush, then a gurgling glimmer of lights, and then a broad inaudible swish – sweeping billboards started getting illuminated over the grey skyline. Streaks of cars flashed by and each light post stood guard, staring mutely down at the circle of its own shimmer. The mushroom fell like a cosmic parachute. Midway, it floated upside down, perhaps due to the changing twilight breeze. The earth below palpitated, probably from the fear of bearing the dominating weight of the dusk covering its belly in a rapturous embrace, thought Tara. Staring into the night she flipped through the pages of her life.

Twenty-two: She’s married. Laughter, music and merrymaking.

Twenty-three: She’s as fresh as the chrysanthemum in the living room vase, bursting with secret pride, fed and indulged. Tara, watch your step. Don’t lift heavy things. At the threshold of motherhood.

Twenty-four: A secret test confirms a baby girl. She’s forced to get rid of it. This family wants a male heir.


Tara shut the book. It’s too painful.

The wintry evening whirred like a panicky bug, wings stuck on the frosty glass pane of the bus. Tara clutched a little purse, a testament to her barren fortune. A cheap lipstick for lips that had lucked out of its admirer, a compulsive gambler father’s gift of a lottery ticket, a voter ID card, and a few dry petals from a stale-smelling temple where she had grudgingly prayed for a change in her fate.


Aware of the driver’s stare through the mirror, Tara fidgeted. “Madam, do you have a destination? Where are you from and where do you want me to halt,” he must be thinking. A group of teenagers giggled in a huddle. An old man with a crutch waited to get down. As the bus wobbled to a stop, loud middle-aged men with beer breath boarded the bus almost pushing the old man aside. They kept cracking bawdy jokes that tumbled down their silly paunches, unshaven cheeks, crumpled shirts and sloth manners. Tara avoided looking at them. She is not supposed to be seen alone by strangers in an unknown part of the city. Delhi is bad, often bizarre. Someone might recognise her. At the next stop, a woman climbed up with a little boy of about two years. The child, sitting right behind, kept crying. “Shut up Aman,” the mother admonished repeatedly, breaking Tara’s train of thought:

Twenty-six: She has prayed to all those gods and goddesses nestling in golden domes and heavenly canopies. But she fails again. Tara, not a daughter, no.

Twenty-seven: She’s an apparition of herself. She walks about the house in stranger’s footprints. She wants to be lucky. Tara, it’s for family honour that you must find out who inhabits your womb – a son for our only son, not a daughter.

These days her husband was away to London on a business venture. It could take a few months before he was back.


By that time, regain your health, Tara. The family chants like a pack of crazy priests. Offer food in temples, seek blessings, and eat, drink and inhale the pollen that’ll embed the male fruit in your womb.

Outside, Tara saw the mushroom had long fallen on the belly of the earth and split and morphed into a mass of dark shadows, creating fearful inky whirlpools that kept pulling Tara unto them. She felt like howling. She wished to be free and uninvaded. From those that owned her, from the bus driver’s stares in the mirror, from the drunken laughter around, and the harsh “Don’t cry Aman” of the woman behind her. To go home.

(continued...)

Monday, March 23, 2009

INNER VOICES: A Collection of Short Stories By Indian & Foreign Writers

Finally, INNER VOICES is out in print. Hurrah! It is a collection of short stories that came into being after Mirage Books, India, held a worldwide fiction contest in 2008. My short story "Tara Goes Home" was one of the winning entries and it is featured with 49 other writers from India and other countries, among them, my writer/poet friends Farahdeen Khan and Sophia Carmalin. You can order the book on amazon.com or rediff.com or from the publishers directly.

Here's the e-mail from Nikhil Khanna, one of the publishers:

Dear Contestant:
Congratulations! Your short story submitted in response to a contest announced by Mirage Books in 2008 has been published in the book titled ‘Inner Voices’.

Released this week, the book can be ordered online through
www.amazon.com or www.rediff.com. Alternatively, you can place an order for the book directly with us and get a discount of 40% on the listed price (our bulk order price). This offer is for a minimum quantity of10 books, email your address and requirements and we will let you know the shipping charges.

The book is also available at the following stores in Pune:
a) Manneys, Camp
b) The Word, Boottee Street
c) International Book Service, Deccan Gymkhana.

It will also be available at bookshops in major cities of India, along with our other titles, in the next couple of months.

We hope that you enjoy reading the book and, if possible, do get it reviewed ( blogs, magazines, newspapers etc)
Regards,
Nikhil Khanna
Publisher
Mirage Books,
Shop 4A, Mayfair Eleganza,
Phase 1, NIBM Road,
Pune – 411 048.
Phone: 020-40052498

Well, more on my work later. Meanwhile, you can order the book for yourself, libraries, book clubs etc. I'll post some excerpts from my story in a few days.

Monday, October 20, 2008

Fiction forthcoming in Mirage Books short story collection

This was a nice surprise:
My short story selected to appear in a collection by Mirage Books (http://www.miragebooks.com/), India. The story is "Tara Goes Home" that I originally wrote last year, as an entry for Orange Prize (ambitious, ambitious!), UK. It didn't make the cut there and I felt the story had too many loose ends and quite a bit of fluff. So I edited it over and over again. Finally, this year Mirage Books picked it up and I thought, OMG, they like this story? No way! I had contributed three stories (all within 1,500 words and only one to be selected), and my preference rested on either of those other two. Those were really nice tales! But this probably has more gravitas in the theme. Who knows?

Anecdote: When Nadine Gordimer wanted to stick to the title of her novel "A Sport of Nature", her publisher kept arguing against it citing some silly reason like this title might have the book mixed up with sports books! What I mean is, publishers and writers allegedly have totally different world views... (Now I'm not Nadine Gordimer, so let's move on...)

The selected story is about a young woman named Tara who lives in Delhi. She is chided and goaded by her family to bear a son while she keeps getting pregnant with girl babies (revealed by illegally done ultrasounds) that are aborted one after the other. So, finally one day, she steps out of her conservative home and gets on to a bus. The bus meets with an accident and Tara lands up in a hospital. There, half-conscious, she takes a strange decision about her life. This is all about Tara Goes Home.

Here's part of the e-mail that came this morning from Mirage Books editor:

"Hi Friends,
Announcing the winners of the contest -
[From the list below, you can check if your story has been selected, but do come back to read the following message.]
First of all, I'd like to thank all of you for participating in our contest. The response for it has been much better than what we had expected, initially. For us this has been quite an enriching experience and I hope you enjoyed participating as well.
These short-stories which we have selected will be published in our next book and each story will be followed by a short bio and a photograph of its author: That is the Prize.
The very reason why we announced this contest was to promote writers and story-writing. There are so many good writers who don't get the opportunity to get published: Well, today we feel that fifty talented writers will be added to the select group of – 'Published Authors'. Congratulations Winners!
For the ones whose stories don't feature in the list, I'd like to say: Most of the stories we received were good and it has been quite a tough task selecting the ones which we did.
Here is the list of the stories which have been selected:

SELECTED STORIES
01
Nandita Mundle
Ink And Lead
02
Anu Chopra
Arranged Marriage
03
Asma Siddiqui
Beyond Love
04
Ankita Aranke
Desert Faith
05
Ketan Joshi
Drilled
06
Padmaja Menon
From The Mouth Of Babes
07
Saurabh Turakhia
Call Of Nature
08
Vijaya Prakash
A Good Bargain
09
Susan Smith
Aware
10
Sunil Sharma
Butterflies Grandma And Me
11
Pooja Nair
Recipe For Disaster
12
Vandana Jena
Second Sight
13
Shantanu Dhankar
And I Burn
14
I D Atkinson
First Contact
15
Lilia Westmore
Escape To Hopeland
16
Gerardine Baugh
Father
17
M Annamalai
Million Steps
18
Anusarat Kothalanka
Nishgandha-A Dreamscape
19
Pratik Shah
Wavering Bounds
20
Rachana Shah
Gulabjamuns In Syrup
21
Cyril Sam
They Say I Am Crazy
22
B S Keshav
Fast Forward
23
Nathia
Mirage
24
Nabina Das
Tara Goes Home
25
Kenneth Cross
A Healthy Dose Of Insanity
26
Farahdeen Khan
Mona
27
Divya Mohan
The Silent Brook
28
Anita Baruwa
Just Rs 499
29
Sunil Tarini
Betrayal
30
Ribal Haj
Chased By The Wolves
31
Leo Mukherjee
The Fly Who Knew Too Much
32
Anubha Yadav
The Gift
33
Kamal Sharma
Ghost
34
Bharadwaj Vijaysarathy
Tom Dick And Harry
35
Chandru Bhojwani
The Love Letter
36
McKenzie Hightower
The Lost And The Forgotten
37
Sweta Vikram
Challenges Of Breaking Rules
38
Eva Bell
Perfect Execution
39
Kirin Gupta
Now
40
Ramprasad Adpaikar
The Baby
41
Sindhu Ramachandran
Happy Teacher's Day To Life
42
John Wolf
Earth Dogs
43
Vivek Shivram
A Conversation With The Damned
44
Salil Chaturvedi
Ta Rat Thing
45
Malavika Shridharan
The Shooting Star
46
G S Vasukumar
The Last Drop Of Tear
47
Joe Pfeffer
Supreme Reflections
48
Tia Rohit
Darkness Behind The Bush
49
Carmalin Sophia
Love Me Dear
50
Swapneel Khare
I Am Sorry

[This list is subject to the authors' furnishing the details and complying with the rules.]
The authors of these selected stories need to furnish some details, for which we will email them, individually, very shortly.

Warm Regards,
Huned Contractor
[Editor: Mirage Books]