About FOOTPRINTS IN THE BAJRA (Cedar Books, New Delhi); By Nabina Das

"Fittingly for a poet, Nabina’s novel also has a strong lyrical core. 'Footprints in the Bajra' takes the homely image of the millet field as its central metaphor. ... But the novel is less a thriller about guerrilla action than a subtly colored character study of a fascinating group of individuals who intersect at various points in their lives ..." -- DEBRA CASTILLO, author, editor and distinguished professor (Cornell University, April 17, 2010).

**
Footprints in the Bajra is a serious book that moves at a smart uncontrived pace. It voices deep concerns about how and why the deprived and the marginalized in certain parts of our country join the Maoist ranks; how they adopt desperate and often terrible measures to wrench justice and to make their voices heard... a confident debut novel, a good read, which will leave you with plenty to mull over. -- PRITI AISOLA, author (See Paris for Me, Penguin-India, 2009) in DANSE MACABRE XXXIV.

**
In her debut novel, Nabina Das writes about an India where social divides stand taller than multistoried shopping malls. Footprints in the Bajra, inspired by what she saw while touring the interiors of Bihar as part of a travelling theatre group, inquires into why the Maoists have an influence over a large section of Indian society. Das talked to Uttara Choudhury in New York about her book, and its protagonist Muskaan -- DAILY NEWS AND ANALYSIS, Mumbai, March 28, 2010.

**


"The interspersion of references from both the West and India do not clash. Shakespeare and Lazarus as reference points are brought in with ease, as also Valmiki and Goddess Chhinnamasta, and nothing jars ... The language is poetic and creates visual images of beauty and ugliness side by side." -- ABHA IYENGAR, poet (Yearnings: Serene Woods, 2010) and fiction writer in MUSE INDIA, May-Jun 2010


**
Shwetank Dubey says Nabina Das ably recreates the milieu of Maoist-infested regions of India -- Nabina Das has chosen the first person account of narrating a story from the main characters of the novel, Nora the sheherwali (urban dweller), Muskaan the rebel, Suryakant Sahay the crafty clandestine planner and Avadhut the frontrunner of all the operations... the book deals with something that no urban resident is bound to know on his own — the life and times of people living in Maoist infested areas and why do they give in to the temptation provided by the Red Brigade. -- PIONEER newspaper, April 25, 2010.
**
'"If you misrepresent them, they'll abduct and kill you," says Muskaan, our hostess'... goes the first line with which Nabina Das settles everything about her novel -- style, subject and pace... Excellent plotline. Wonderful detail. A beautifully crafted book. -- Karunamay Sinha; THE STATESMAN, Sunday supplement "8th Day", May 16, 2010.
**

"This is bitter-sweet, if a rather longish tale of a modern-day Maoist revolution and the seeds of destruction and betrayal that lie embedded in it." -- Business World, May 17, 2010
Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Monday, January 31, 2011

FOOTPRINTS IN THE BAJRA a "first in Indian writing in English"

INDIAN LITERATURE (IL, 259), the flagship journal of Sahitya Akademi (national academy of letters, India) recently published a nice review to my book "FOOTPRINTS IN THE BAJRA". The book completed one year on Jan. 20 and so, this bit came as a good gift.

The attempt made by FOOTPRINTS, said the reviewer, "it seems, is a first in Indian writing in English and must be considered very seriously..."! Nice.
There is no online version. So here are not so good jpegs of the scans:





But good people are more in number in this world. So, here is a link to Saborna Roychowdhury's blog where she posted the pdfs of the same review. The two tiny links above the article are those pdfs, yes.

While at all this, I also urge you to read another review of FOOTPRINTS on Hansda Sowvendra Sekhar's blog. Very detailed, very astute.

You should check out both the blogs for more literary fare. Good stuff for new or 'old' writers.

Tuesday, September 14, 2010

Waiting on the MFA

What's going on these days? Well, I am in an MFA Poetry program at Rutgers-Camden. Two poetry workshops, one fiction workshop and one pedagogy class. Plus teaching two sections. That pretty much sums up my life. Writing? I am writing, a little bit. Revising more because i want to take the advantage of my workshops for all the pile of writing I have done for the last three years.

Sitting in my residence hall room where I share the kitchen with two Law students, I can only wonder what new writing will emerge from my pen. Others are watching, and so am I.

Sunday, September 5, 2010

"Footprints" review in Business World magazine

Another review appeared in May this year in the top Indian biz mag BUSINESS WORLD.

"This is bitter-sweet, if a rather longish tale of a modern-day Maoist revolution and the seeds of destruction and betrayal that lie embedded in it.


Sunday, August 15, 2010

Book Interview in THE SENTINEL -- All About "Footprints"

KARUNAMAY SINHA's interview about my work and book FOOTPRINTS IN THE BAJRA in THE SENTINEL. Please read and air your comments! Personally I am happy to re-connect with The Sentinel where I had worked as a cub sub editor and reporter once upon a time :)

The paper copy has some nice photographs I had sent them. The e-paper has this ordinary layout.


Sunday, May 23, 2010

Review of "Footprints..." in THE STATESMAN


THE STATESMAN, Sunday Supplement "8th Day" of May 16, 2010, has these words about "Footprints in the Bajra".

'"If you misrepresent you, they'll abduct and kill you," says Muskaan, our hostess, who swats my attention as though it were a distracted fly bumbling over a new odour"" goes the first line with which Nabina Das settles everything about her novel -- style, subject and pace... Excellent plot line; wonderful detail. A beautifully crafted book."

Wednesday, April 28, 2010

"Footprints in the Bajra" reviewed in Pioneer newspaper

PIONEER, a newspaper from Delhi, has the latest word on my novel FOOTPRINTS IN THE BAJRA.

In case it opens up, here is the PDF or the e-page on the "Books Agenda" page. You might have to scroll for the page.

A six-column review, it says a lot of things. However, I must add as a comment that I am not per se interested in the "reform" of a Maoist and that was not what I intended in my book with the protagonist Muskaan. The end is, in my opinion, more nuanced than what prevalent political interpretations are whenever it comes to topics on Maoism and the parties engaged against the ideology or in solidarity with it.

If you so not wish to see the link, read the review below:

Reform of a Maoist

Footprints in the Bajra
Author: Nabina Das
Publisher: Pustak Mahal
Price: Rs 175


Shwetank Dubey says Nabina Das ably recreates the milieu of Maoist-infested regions of India

Reform is always good, especially when it concerns someone who has been misled, used, lied to and then forsaken by those who she thinks are her well-wishers. The only thing that such a person can do is give back what she got, albeit with much more intensity. Everyone has to wake up some day or the other and smell the coffee, and that is what Muskaan, the protagonist in Nabina Das’ novel Footprints in the Bajra, did. After feeling betrayed by her mentor, she finally took refuge in the advice given by her student-activist friend from New Delhi and decided to chart her own life, for once.

For anyone who comes from the rural areas of Bihar, Chhattisgarh and parts of West Bengal, Maoism is nothing new. It has been there as a part and parcel of their lives since decades. Illiteracy being a common curse in such regions, it plays a very important part in helping Maoist rebels build an army to fight against the administration and the Government. The simple villagers are made to believe that they are better off fighting the Government than supporting it. And that is what the main villain in the novel, the village teacher, Suryakant Sahay aka Comrade Suraj, cashes on. With the help of his second in command, Nirav Saxena alias Comrade Avadhut, they perform the most unsaintly acts of attacking and killing the Chaudharys of Chabutara, the upper class village, as well as devising strategies against the Government.

Since time immemorial, landlords have been touted to be major oppressors so much so that the divide created by the upper castes has led to even a greater help to the Maoists. As Nabina Das puts it in her novel, with the help of the Internally Displaced People (IDP), Maoists built a strong army. Such IDPs were made to fight for the “cause” and inducted in the Red Army. After a lot of investigative journalism, as well as the changed stance of the Government, it has now become common knowledge about how uneducated people in rural areas, especially those living in places where the Government and administration takes a lot of time to reach, have been cheated by the Maoist brigade since decades, in the promise of a better life and “revenge” from their erstwhile oppressors. Added to this is the fact that farming also underwent a drastic change wherein grain crops were replaced by poppy fields. This turned into a major funding device for the Maoists. All this has been quite prominently woven into the story by Nabina Das.

Everything undergoes change, and so does Muskaan’s life. The various upheavals in her life, right from being a child soldier, being held captive by the Chaudharys, being kept in a safe house, to joining the non-Government organisation Shaktishalini and pursuing higher studies and, finally, of closing the entire chapter by being an “emancipator” of the masses, are few things to be reckoned with.

Being betrayed is a very heart-breaking feeling and Muskaan faces this throughout her life, till she decides to hold the reins herself. Her first lover, Palash, decides to break up with her after she is abducted by the Chaudharys after an attack by the so-called Hunting Brigade formed by the upper castes with the help of the administration to quell the Maoist menace, the details of which are revealed much later in an emotional outburst to Nora.

Nirav and Sahay use her for their own interests in furthering their cause. After their group is disbanded, they find it in their best interests to tie-up with the Maoist brigade from across the border in Nepal. They realise the Red Brigade in India is mismanaged and there is no common thinking or a leader. Moreover, for their cause to survive, they decide that the best option is to adopt the stance taken by the Nepal Maoists — take to politics. Muskaan plays a very important role in this (as a pawn for Sahay and Nirav) after she joins Shaktishalini. The NGO is hacked by Nirav for his tie-up with the Nepal Maoists, while Rehana (who runs the NGO) thinks that she has found the perfect mentor for her cause of upliftment of women.

Nabina Das has chosen the first person account of narrating a story from the main characters of the novel, Nora the sheherwali (urban dweller), Muskaan the rebel, Suryakant Sahay the crafty clandestine planner and Avadhut the frontrunner of all the operations. While the narratives are quite detailed when read from the perspective of it being a scholarly article (footprints of good education and reading prowess among the main protagonists are inadvertently displayed), there are various other details that could have been made clearer. The motive of people like the headmaster and the businessman for joining such a cause is a bit muddled.

However, the book deals with something that no urban resident is bound to know on his own — the life and times of people living in Maoist infested areas and why do they give in to the temptation provided by the Red Brigade.

Thursday, April 15, 2010

Reading from "Footprints in the Bajra", April 17, 4-5 p.m.

I shall be reading from my first novel FOOTPRINTS IN THE BAJRA on Saturday, April 17, 4-5 p.m. at Buffalo Street Books in downtown Ithaca. See the event details here.

If you are in the area, please come for the reading. See a review of Footprints in Danse Macabre journal (USA) and a book interview in Daily News and Analysis (DNA), Bombay.

I must mention, my neighbors at Maplewood Park, a Cornell University housing area, where I have lived for 7 long years because Mr. M did his PhD here, have been very sweet to invite the residents to this reading. They even made a poster of the event!



Photo courtesy: Maplewood Park staff Priyanka Bangale.

Thursday, April 1, 2010

Interview: Footprints in the Bajra is a portrait of Muskaan, a Maoist rebel from the age of 13

Daily News and Analysis (DNA), a prominent financial newspaper from Bombay, published my book interview in their Sunday Mag, March 28. You can go to the digital link here or see the PDF page here. Or read the interview in full here below:

Footprints in the Bajra is a portrait of Muskaan, a Maoist rebel from the age of 13

By Uttara Choudhury

In her debut novel, Nabina Das writes about an India where social divides stand taller than multistoried shopping malls. Footprints in the Bajra, inspired by what she saw while touring the interiors of Bihar as part of a travelling theatre group, inquires into why the Maoists have an influence over a large section of Indian society. Das talked to Uttara Choudhury in New York about her book, and its protagonist Muskaan.

What prompted you to take up such a complex issue in your debut novel?

On a primary level, my interest in socio-political movements with a current portent, especially in India, goaded me to tell this story. The complexity is not regarding Maoism per se, but the state’s inability to offer a cohesive system for its people.
On a deeper level, I am interested in lives. The novel is really just a slice of life story, about Muskaan the young Maoist rebel, and Nora, her friend from the city. Maoism is mentioned in the background only to paint these lives. In no way is the book a primer on Maoist philosophy.

As a journalist and NGO worker, I have had access to lives affected by Maoism and the state’s actions. Bloodshed and killings were the only gains these people came home with. Those stories stayed with me as examples of harsh reality outside the TV screen and disposable newsprint. I felt compelled to let these characters speak in my book.

Your novel delves into the life of a Maoist recruit — a teenage girl named Muskaan. Did your research for the novel point to the fact that young women are drawn to the Naxalite movement?

It is a fact that in ‘modern’ India young people from regions with little development find themselves on the sidelines. Their anger with the system has percolated upwards. The recent mining claims in Orissa sparked off huge protests, not just in the villages but also among city folk who until recently had no idea about the Kondh people — Dongria, Kutia and Jharania — and their ways.

Generations of caste and class atrocities together with government apathy has helped mobilise ranks on the side of the extreme left. Sometimes these young rebels don’t know what being a Maoist means. I had once asked a person in jest who proudly called himself a Maoist, whether he was happy not to be called a Stalinist. He promptly said if being a Stalinist helped avenge his people, he’d happily be one.

These are my characters in Footprints. They live in Durjanpur, Banka or Patalgarh — names that are linear views, hence negative in connotation.

For the marginalised, the situation is stark. Muskaan is a Maoist recruited as a child soldier at 13. She is an example of how these ‘renegade’ movements use young people as a staple for propagating their adventurist tactics. We have examples of such far-left movements in other parts of the world, like the Shining Path in Peru.

Would you say the Maoists are a greater threat to India than global or cross-border terrorism from Pakistan?

Sadly, what gets lost in the debate is the plight of a huge chunk of people. Maoism or Naxalism does appear to be an option for the disadvantaged, especially Dalits and tribals, although I am aware of people who are striving for alternative movements away from guns and gore.

When it comes from the government, the word “threat” certainly is the key operative here. Whether Maoists are delighted at that labeling I have no idea, for I’m not a practitioner of the movement. But calling Maoism a “threat” helps situate the public view about this far-left movement. Threats justify the forming of counter-attack groups and human rights negligence. This precludes any investigation into how the poorer swathe of India eats, works, sleeps and dies.

The threat works well for the government in distracting the people. Meanwhile, deaths and displacements continue in the middle plane whether in Kashmir, Manipur, Orissa or Chhattisgarh.

Do you think American audiences will be able to relate to Muskaan and a story about a slice of rural India?

American writing is rich and diverse. Jhumpa Lahiri, Junot Diaz and Nam Le have successfully drawn readers into worlds outside their own familiar confines. Muskaan’s India may not be familiar to a lot of readers even in wealthy, urban India.

Since you live two lives, shuttling between the US and India, will your second novel be cast in India or America?

I plan to work on a book based on Assam, my home state, and the upheavals it has witnessed. Tentatively, it’s called “The Boatman of New York.” It would be a generational story across continents.

Monday, February 22, 2010

About Aribam: Telling my Manipur Story in Inertia Magazine

The full form of my short story in INERTIA MAGAZINE, Issue 8. Many of my readers asked for the full version here... but I assure you, the magazine site is delightful too.

Why I wrote this story? Manipur is a place close not only to my life geographically but also politically speaking where issues of human rights and basic aspirations are concerned.

About Aribam

Throughout the morning session I couldn’t have him speak more than two sentences. My name is Aribam Ngangom. I work for Manipur Times.

“Like Aribam Syam Sharma!” I quipped.

It was meant to be a compliment. Aribam Syam Sharma was a celebrity. A film-maker and artiste from Manipur.

“I’m Nalini Datta.”

His eyes were cold steel. Like the one he said later he once held in his hands.

It was a cool 2001 March morning on the first day of our Annual North East Media Fellowship Seminar in the wood-scented northeastern hill town of Shillong. We took in the view across the lawns of Hotel Pinewood, one of Shillong’s finest. Of the twenty gathered, Mr. Sharma, Sumana and I were the organizers. We gorged on our English breakfast early. Plenty of bacon and ham, usually not a staple if the seminar were to be elsewhere in India. We Northeasterners, often touted as omnivores, were pleased with the menu although there was aloo paratha and lassi, too.

Nine o’ clock’s introductory session was where we all formally met. I delivered a small speech to the participating journalists after Mr. Sharma, our chief program coordinator, opened with a keynote address. About forty, 5'5'', with a conical face, Mr. Sharma was of tardy speech. His lips pursed even the longer, rounder vowels but he made his point clearly. If he ever needed to raise his voice he raised his thick eyebrows. That way, his conical face looked further elongated. He always dressed semi-formal.

My colleague Sumana was thirty-ish, dusky and pleasantly pixie-faced. While she smiled even during trying times, her black eyes sought out any problem before solving it quietly. She always wore cotton saris neatly pleated, and loosely tied her shoulder-length hair, even while rushing to work. I was about her age, a year more or less, and could easily furrow my brow under pressure. But because she was a good one-arm taller than my five-one height, she treated me like a kid sister and advised me generously.

Sumana nudged me when Aribam Ngangom spoke those two sentences and went silent.

From ‘the jeweled land’ – on India’s map you can see Manipur’s shaped like a teardrop pearl – Aribam had one of those faces where you couldn’t tell whether he was thirty or forty. But his low-pitched voice was heavy like a mature man’s. The prominent lines on his face could have come from overexposure to the weather, as if he had lived a hard life in the villages. Later, I saw that a couple of lines were scars; one on the left cheek, the other high on his forehead close to the hairline. He wore his hair short, almost like an army buzz cut.

Sitting one spot away from him in the conference room, I saw that his locked hands were rough and blunted as though used for chopping logs, not filing reports. If I thought Mr. Sharma excelled in sporting a completely expressionless face, here was his competitor. With his clean-shaven wide square-ish face, Aribam’s eyes were beady and still like a coarse brown paper bag, with two dark dots on it. Just about 5'7", he appeared well-muscled.

“We’re all rice eaters!” I said to him during our lunch break.

He didn’t reply. Instead, piling rice high on his plate, he eyed me once or twice.

The afternoon waned. Of the seventeen journalists with dreams of breaking the 'big story' one day, Aribam and another were left to speak.

“Mr. Ngangom, it’d be a pleasure hearing you,” Mr. Sharma said.

“I came to Manipur Times after my village schooling.”

“He speaks a lot!” Sumana nudged me again with a whisper.

Aribam rambled slowly: his rural upbringing, education in the town, his writing. Said he took a break for some ‘field work’ before getting back to reporting.

“Please tell us more, do,” the usually unruffled Mr. Sharma said with interest.

Aribam’s face appeared puffy. He probably reflected hard on this. Journalists often have unique experiences. In Manipur, we knew life was sometimes difficult and dangerous: insurgency, unemployment, and seasonal calamities. Aribam spoke of living inside forests, braving floods and landslides, building homes in ravaged villages. When he complained, his voice rose protesting how the “mainstream media” barely focused on life in India’s backwaters. We agreed. Cricket, politics, films and fashion constituted the daily menu in ‘mainstream’ newsrooms. Rural struggles and developmental issues had little oomph value. That’s why we were here, inside Hotel Pinewood’s conference room, working with dedicated journalists to help set the alternative agenda. We shared Aribam’s concern. Yet, looking upset, he mumbled that in the name of controlling insurgency, the army and paramilitary were clamping down brutally on his people. No one said much about this. These were controversial issues even among conscientious journalists.

I hardly got a chance to speak to Aribam the next one and a half days. Too much work too fast. Sumana’s help kept me going. With the media fellowships and citations awarded – Aribam among one of the winners – things came to a rapid close.


**

We were having a going-away party until the next annual meet. In a log cabin by the majestic Lake Umium outside Shillong town, plenty of good food and liquor made everyone happy. It was like a college party. Because I knew quite a few participants personally, I also knew who could sing, recite or tell a joke.

“Ah, look who’s talking!” Sumana said. “I know you sing Nalini. Get started now!”

Everybody else goaded me on, too.

I hesitatingly sang a boatman’s song that seemed to make an impact. The assistant editor chimed in with a song he claimed to have learned on a fishing village trip after a devastating cyclone. The political correspondent recited a tribal lore with couplets about a woman’s plight. Normally shy, Sumana sang a Bollywood song where a peasant praised his ancestral land. The gathering got boisterous. On a second request, I sang the lore of Lord Krishna from Assam, when he deceives the householders into meeting Radha, his ladylove. “He’s a liar, he is divine/he's a thief, he is mine” – thus gasped Radha. Alcohol-infused and relaxed, everyone cheered this one wildly. Love stories don’t fail, especially if they are about gods who behave like mortals! At the last refrain, there was very loud applause. Aribam was clapping with his coarse heavy hands, ignoring the stares. I noticed earlier he was barely drinking. Unlike the others he didn’t get stuck like a fly on the sweet rum and the kebabs and pastries. Then he started singing in his language, which I guess was Meitei, of which I knew a few words. He sang throatily and kept beating on his thigh clumsily with one hand, smiling for the first time. Sumana and I joined in, keeping the beat. Then the others followed. What a party.

**

“My wife was raped by the paramilitary,” Aribam said, unceremoniously on our way back.

Party over, we hit the road. Evening light wasn’t dead yet. Two big vans they called ‘Matadors’ in these parts, had been hired. Aribam sat next to me. His mouth was near my right ear, so hearing him was easy. The breeze from his window blew my long hair into my eyes.

“They flushed the village and questioned my wife. They told her I was a terrorist, an insurgent. I was late in coming back from buying charcoal from the nearby town. They dragged Ranja away. I spent months hiding inside the forest. They kept coming back, picking up many others. This was when I’d just started as a rookie reporter with the Times.”

He glanced at my cheek. Gently disentangled an errant strand of hair.

“They caught me later. Locked me up and beat me bad.”

His face was distorted in the falling light. Voice heavy and angry.

“Here are the scars…”

He swerved with the Matador, and drew away respectfully.

“Later someone bailed me out. Gave me a gun. Ranja’s pain had made me a madman. I killed one of those dogs. Now no one came after me, I hunted them. Staying away from writing was painful too. I resumed my reporter’s job a couple of years later.”

Aribam looked through the window. It was dark outside now.

“Nalini, don’t bun up your hair. You look better this way.”

The road from Shillong to the plains was not treacherous. Not very serpentine. But these Matadors were vehicles with impatience. They tended to hurtle down the hills with us topsy-turvy inside. Like life does sometimes.

Copyright Nabina Das

Tuesday, February 2, 2010

Short Fiction "ABOUT ARIBAM" in Inertia Magazine 8

I have a short story published in Inertia Magazine -- ABOUT ARIBAM.

After clicking on the story title, see my name listed under 'fiction' on the left-hand bar and click for the text.

A bit of backgrounder: I used to work as the media coordinator for National Foundation for India, a grant-making body in India directly funded by Ford Foundation. We indeed had a media program that I took over from a wonderful senior, and ran my flagship media conference one time in Shillong, a beautiful city and capital of the northeastern state of Meghalaya in India.

I indeed met my protagonist at that conference. But this is largely fiction that showcases those moments of life that fail to provide any explanation about their rationality or exactitude of occurrence. And given that I am a neighbor of Manipur and it's beautiful people, something spurred me to write this piece.

Do enjoy the story and tell me what you think!

Image from Inertia Magazine cover, Issue 8, February 2010.

Monday, February 1, 2010

FOOTPRINTS Cover Kitsch...

Some of my friends have perhaps seen my older post "My Sketch and the Fun I have with it!". In that post stuck some versions of a sketch I've been doing for a few months ... until now that it has become something palpable. The cover of my novel FOOTPRINTS IN THE BAJRA.



But I just thought it'd be interesting to see those sub-sketches again alongside a few cover options that were thrown at me, by the publishers as well as my dithering mind. But I soon realized what I actually wanted, and I rooted for it, successfully!


This was one photographic option, but I realized these are paddy, not millet, in a parched land!


This was definitely pearl millet (bajra), but this option looked very boring too me; even with the ominous red sky, it seemed to have no soul or drama. People who know me, they know I prefer both!


This photo above is the same when I was tinting it red-pink...


Cedar sent me this photographic option. A girl walking through some crop field. But the locale looked non-Indian, certainly non-Bihar, and not even remotely any closer to my story and the protagonist/s. Too stiff, too transliterated, too predictable. Nope!

These ones below are the versions of the Madhubani drawing I was starting to visualize as my cover. So you have upside down, truncated, full drawing...



Oh, don't miss the gun! I had to labor HARD to make it look like a country gun!




And of course, what you see below is the original B&W sketch when I started working with it ...


Images: from the Internet; drawings: by Nabina Das

Sunday, January 31, 2010

Bajra (PEAR MILLET) in my book FOOTPRINTS...


PEAR MILLET in my book FOOTPRINTS IN THE BAJRA:

"ಸಜ್ಜೆ (Sajje in Kannada); கம்பு (Kambu in Tamil); बाजरा (Bajra in Urdu,Punjabi and Hindi), बाजरी (Bajri in Marathi), సజ్జలు (Sajjalu in Telugu)

...
Pearl millet is well adapted to production systems characterized by drought, low soil fertility, and high temperature. It performs well in soils with high salinity or low pH. Because of its tolerance to difficult growing conditions, it can be grown in areas where other cereal crops, such as maize or wheat, would not survive.
...
In its traditional growing areas in India and many African countries, pearl millet is consumed in the form of leavened or unleavened breads, porridges, boiled or steamed foods, and (alcoholic) beverages. In the Sahel and elsewhere in West Africa, pearl millet is an important ingredient of couscous. The stalks are a valued building material, fuel and livestock feed.

...
India is the largest producer of pearl millet. It is primarily consumed in the states of Gujarat and Rajasthan"

My book describes a little bit about Bajra swathes in Bihar, in the fictional north Bihar village of Durjanpur. For fact, Bihar has only some areas under millet cultivation, where erratic irrigation programs and vagaries of weather largely impact the output.

Info from Wikipedia; Image from Wikipedia.

Wednesday, January 20, 2010

FOOTPRINTS IN THE BAJRA: My Novel is Published

Good news! My novel FOOTPRINTS IN THE BAJRA is out!

Published by Cedar Books, India, Footprints is about an India that is too strange to believe, yet is a reality for thousands of its citizens crouching at the margins.

A story about a slice of rural India, it is written from an urban perspective, mainly from the point of view the two main protagonists, while each chapter is a first-person narrative voice from the chief characters.

Footprints looks into the life of a young Maoist recruit -- a teenaged girl named Muskaan -- the way it spirals through bloodshed, retaliation, deception and yet, brings out her elemental dreams of life and love.

Maoism has been repeatedly touted by many in India as a greater "threat" than even the global (read, Al Qaeda) or cross-border (Indo-Pakistan) terrorism, with the government not quite able to get its head around the phenomenon. Maoism, the allegedly romantic refuge of the country's rural denizens, is not exactly a path strewn with roses for the socially deprived and the segregated. Centuries-old injustice, flawed government policies, flagrant violations of the basic human rights and deep-seated official apathy even in a "modern" India, have driven the poor and the marginalized to turn to Maoism, only adding to the statistics of death and destabilization.

Call it a scourge, malaise or wrong judgment, it is also a terrible reality that Maoism in India has sheltered swathes of disgruntled populations that have perhaps little or no idea about Mao or Revolution. All they look out for is social justice in their own terms. The civil society is perhaps divided on if this is right or wrong, but there is no denying that lives have been torn up on all sides.

Below is the cover of my book. I am happy to say that the cover art is also by me, adapted from my favorite Madhubani painting style of Bihar!


The idea was to present a so-called rough and rustic appeal, in the way Madhubani derives its colors from vegetable and rock dyes, and in the way the symbolism of a tree, the sun and the thick outlines form a cohesive whole with burnt red, ochre and deep green tones. It is a world of idioms, myths and moving accounts that my art tries to capture.

This is the standalone front cover:


I sketched the motif on paper with pencil and ink and later went on to color it with ordinary marker pen! Following the scan, Cedar's design team helped improve the resolution.

The sun in the underbelly of a human-like form (a twisted imitation of "the tree of life") with a bloodied root-sprung head was my idea of the unstable "system". The green pearl millet or the bajra is present in a "semi-circle of life" as opposed to the "circle of life" concept popular in Madhubani art.

This is the back cover:


The book will be on Amazon (worldwide) and Rediff (India) for purchase later on. Right now, it goes to the 19th New Delhi World Book Fair 2010, Jan 30-Feb 7. Updates to follow!

Monday, October 12, 2009

THE FARRIER- A Short Story

THE FARRIER (First published in The Cartier Street Review, April 2009)-By Nabina Das

Was Russet to live her life between the legs of horses? She could get kicked sometime, although I’m sure Russet never expected that. It’s a job she had for a long time. Russet had big hands. Her hair cut like a duckling’s tail caught in a twister. She was a farrier. With an uncommon but musical name – Russet. That’s what she told me.

We spoke while rummaging through old books on sale downtown where they’d let us take a bagful for a dollar. Shivering in the line outside on the cold concrete, for it was late November in this little Upstate New York town, I rubbed my bristly palms inside fleece gloves to a frigid drop falling from above, listening to the drone of a man explaining to someone the intricacies of a Russian fireplace. Once inside, we rummaged and I saw she held this Alberto Moravia I wanted, Two Women. Like a predatory animal I eyed her. Silently pointed towards the Moravia. She eye-browed towards the flat thin book I was holding.


“Horses.” She said. “You like horses?”



“I don’t mind them.” I said. Why talk of horses? This isn’t a farm fest. It’s a book sale.



“You’ve a horse here,” she said, leaning over and touching the book I was holding. Tock tock. She knocked on the cover twice.

The flat thin cover indeed had a horse snorting in a yellow-green cornfield. I had no idea if horses liked corn. Suddenly it hit me why horses were the topic.




“Okay,” I said, sheepishly. She handed my book to me. “This is about women,” I explained.

“You like women?” She asked the same way she had asked if I liked horses.




Yes. No. What do I say? I’m a man! I nodded. I liked women only because they are there, all around. Not in the same way I’d adore a race car. It was tough to explain.

“He’s a European writer, this Moravia. He must like women a lot … he writes a lot about them,” I said.




“In Europe they make cheese at home,” she said tilting her funny looking head to one side. “They also name their women Nana.”

“No, that’s Zola.” I said, trying to be polite, adding, “A writer by the name Zola called his heroine Nana. In fact, his book is called Nana.”




At that point she abruptly announced that she was a farrier.


“What’s that?” I was sure I had heard the word but I’d never met a farrier before.



I noticed she had big hands, a bizarre hairstyle, plus she walked with webbed gait and the stolid expression of a bored farm animal.



“Russet,” she said, holding out her right hand.


I thought she was talking about the evening sky, which we couldn’t see it from inside this book-filled musty hall.



“Fall evenings are great, especially evenings,” I said. “Do you take walks with your horses on russet evenings?”


She looked at me as if I were a silverfish worm who eats away old book pages. Tiny slithering insects you want to thrash whack whack whack, until you’re satisfied not a single one exists among your priceless collection.



“I spend most evenings working with horses,” she said. “And my name’s Russet.”


I squirmed like that silverfish worm. Oh, that was her name.



Before I could say my name she spoke about the evenings she had spent under and between horses’ legs, shoeing them. This triggered some strange scenes in my mind. Horses’ legs were spindly and long. Not human-like. They even had hooves. Russet could get kicked. Between human legs it was different. Humans didn’t require shoeing. Still one could get kicked, even with humans.


“But of course,” she said. “I could get kicked even between human legs!”



I didn’t comment. We roamed the hall filling our plastic bags. I noted her choice of books about farming and automobiles. She told me she drove an old truck and managed a farm alone. I pictured this slightly Mohawk-haired woman on a farm, grime and mobile oil all around, the hay smelling of horseshit, and her banging thud thud thud on a horseshoe.


“You do that for a job?” I said. “Shoe horses?”



These were horses whose owners found them too old or useless, she explained. Farm horses that’d never again pull carts. Racehorses discarded after they got burnt out. Show horses whose mane grew coarse. Russet made them shoes to walk in and gallop and play and she didn’t mind as long as they didn’t roll on rain-soaked hay for her to clean too often. There were days when she drove to the city to browse shops. She wore her old work jacket because she had no dates these days. Her twister-caught hairstyle didn’t have to be trimmed because there was no one to appreciate. Coming to rummage book sales was the only thing she had permitted herself in a long time. Books made her put aside her grubby boots and stack away her ‘Fresh Corns’ sign at the roadside. Driving down the winding road, doing a casual fifty-five over the forty-five-mile per hour, swerving by blackened squirrels stuck on the yellow dividing line, she came down here for books. Meanwhile her horses lounged or dozed on fresh hay that had been spread out that morning while waiting to feel her big hands. They enjoyed sniffing her and responded in charged hee hee hees. While she worked between their spindly legs, hay stalks cut her fingers, mosquitoes bit her buttocks and ear lobes, and sawdust rose in little clouds due to hammering and hitting. And the horses neighed happily. What if the horses kicked her head or chest, I imagined, shuddering.



“I like it alone,” she said.



She had a man for six months. A man who preferred worn out camel leather gloves in winter and a lime-stained jacket smelling of wood rabbits. He didn’t like horses. “A farrier’s job doesn’t pay,” he grumbled. He wanted to sell horses, the cornfields and the truck to go do city jobs. He drank and fell asleep when she was off to town doing chores. The horses went hungry many times and the two fought bitterly.


“It had to be him or the horses,” she said. “I chose my horses.”



Her four-legged friends – brown and mustard and chestnut, a few velvety black, were joyous about that decision. Russet’s horse book reminded me of Le Cheval Blanc where the white horse looked painted green. Maybe Gauguin too had lived near a green cornfield.


“What’d your type of women do in this situation?” Russet asked me abruptly.



‘Your type’ sounded like she belonged to another world. This was my chance to tell her about my world, a college professor’s world. Well, my kind read made-up tales. Zola, Moravia. Normally, my type of women would want to keep a man. They’d try very hard. Shop for pretty dresses, colors for their cheeks and tiny shoes – human shoes – to please their man. For a man they’d re-do their entire life.


“Of course, they wouldn’t know the difference unless they kept horses for a few years,” I said. Quasi-apologetic.



She eyed my trimmed hair, my pleated professorial pants and my leather moccasins, my cheeks still fragrant from my morning shave. I knew she could smell my powdered chest – we stood so close– and feel my elbow brush her hard sides. Her eyes were wide realizing that a man like me, a reading and college-teaching type, was not someone she usually met. That hurt me. I pined to tell her I loved hay, but on a painted canvas. And horses were okay as long as I didn’t have to wash or shoe them. Le Cheval Blanc wasn’t to be touched and sullied.


“Yeah, it’s different elsewhere,” she said, as if farriers lived by a separate book.




I tried convincing her otherwise, this woman with big hands who could be made to feel good and wanted. A woman named Russet, like the fall evening. Our plastic bags were full and we’d part having spent only one dollar a bag. The conversation was several more bags full.



“Mind if I invite you?” She threw the words out of her mouth with the invisible stuff she was chewing. “Bring your Moravia book to my farm. Will ya?”




I stood on the wintry sidewalk not saying anything. Her truck spewed smoke in a volley of vroom vroom vroom.



She yelled: “Can I call you Vandyke, after one my horses?”




“My name’s Ludwig,” I yelled back and saw her gesture.



“Where did you get that? That’s a horse name too!”




Suddenly unspoken warmth surrounded me. Ah, she was joking. In a good way. All my life I thought my parents were silly to name me like that. As if they knew for sure I was gonna be a sad little professor.



The women in my life and in the books I read kept cats or dogs. Fluffy, silky creatures bathed in lavender shampoo. Coats combed to a perfect gloss, fancy ribbons tied round their necks. The women talked to them in foreign tongues – oh mon petit chou. Made love while their pets watched. None of them lived by a cornfield and heard neighs all night. Alone.




“So long Vandyke!” Russet sped up.



The pickup disappeared around the bend. A russet sun gobbled it up. Her hammer striking new metal, raw and chiming, the farrier would have a visitor soon.



**


Please download a high resolution print quality PDF file for only $2.50 at CSR April 2009 Edition



Image from the Internet

Monday, April 20, 2009

"THE FARRIER": Short fiction in The Cartier Street Review

My short fiction THE FARRIER has come out in The Cartier Street Review, April 2009 edition. Read at:


http://thecartierstreetreview.blogspot.com/2009/04/april-2009-edition.html




Cover Image by Chris Labrenz, The CSR, Apr 09


Bernard Alain, Ottawa, Canada, is Principal Editor (blog site). Joy Leftow, New York, NY, is Production Editor (blog site). The Cartier Street Review is a not-for-profit magazine. 50% of all net revenues go to a children's charity.

Please support this month's charity by downloading a high resolution print quality PDF file at: CSR April 2009 Edition


Excerpt from my story below:

**

"The Farrier "


Was Russet to live her life between the legs of horses? She could get kicked sometime, although I’m sure Russet never expected that. It’s a job she had for a long time. Russet had big hands. Her hair cut like a duckling’s tail caught in a twister. She was a farrier. With an uncommon but musical name – Russet.


That’s what she told me.

We spoke while rummaging through old books on sale downtown where they’d let us take a bagful for a dollar. Shivering in the line outside on the cold concrete, for it was late November in this little Upstate New York town, I rubbed my bristly palms inside fleece gloves to a frigid drop falling from above, listening to the drone of a man explaining to someone the intricacies of a Russian fireplace. Once inside, we rummaged and I saw she held this Alberto Moravia I wanted, Two Women. Like a predatory animal I eyed her. Silently pointed towards the Moravia. She eye-browed towards the flat thin book I was holding.

“Horses.” She said. “You like horses?”


“I don’t mind them.” I said. Why talk of horses? This isn’t a farm fest. It’s a book sale.



“You’ve a horse here,” she said, leaning over and touching the book I was holding. Tock tock. She knocked on the cover twice.


The flat thin cover indeed had a horse snorting in a yellow-green cornfield. I had no idea if horses liked corn. Suddenly it hit me why horses were the topic.



“Okay,” I said, sheepishly. She handed my book to me. “This is about women,” I explained.


“You like women?” She asked the same way she had asked if I liked horses.Yes. No. What do I say? I’m a man! I nodded. I liked women only because they are there, all around. Not in the same way I’d adore a race car. It was tough to explain.



Read more at Current Issue (April 2009)

Wednesday, March 25, 2009

TARA GOES HOME-excerpt from my short story published in INNER VOICES (Mirage Books, India)


(This is an excerpt from my story, a rather large one! I am hoping reader friends would buy a copy of Mirage Books' new contest-winning fiction writers' collection titled INNER VOICES from amazon.com or rediff.com and read several other fantastic writers, among them Sophia Carmalin and Farahdeen Khan, friends of mine...)

As Tara floats in and out of consciousness, strange sounds keep streaming out as if from a different world. Their reverberations keep pouring over her inert body. It all rings in her head, then forces her to wake up. Why is she lying down? She tries remembering. What had happened?

Rumbling raucously the bus she was travelling in had suddenly come to a yelping halt. She faintly recalled her teeth almost got shattered on the seat ahead. Yes, her mouth ached like hell now. The woman behind, the one with the kid, had tumbled off and hit a metal post next to where Tara fell. Incoherent screams rose around her. Seemed the bus had hit something and tilted to one side. Tara even tugged at the fallen woman’s feet trying to help but the boy lurched on to her lap, crying. Then a tumbling human pile further flattened her. Oh God!


Tara finally comes around, a bored female voice invading her consciousness: “Madam, you’re at the government hospital. There are people inquiring after one Tara from Shahdara. Are you Tara Chibber?”

Yes, she is.

Dizzy images of faces contorted in muffled cries and machines humming ominously in the room crowd her tired eyes.
**
This evening had discovered a new resolute Tara. She finally chose this date on the dog-eared calendar and hopped out with it. A gamble. Surprised at her own ability to wriggle out from her joint family cocoon to reach out to something or someone. Still a little shell-shocked by her own audacity, Tara realised that she’d have to pick a destination or else the bus driver would think Tara’s crazy, sitting on this loop-route like someone’s forgotten piece of belonging. The driver wouldn’t know why she was here or what happened to her when things happened.


There was nothing new in Tara’s routine. No one noticed her anymore in the house. Only a clock on the shelf top nodded in a familiar tick-tock to her. The tacky old Delhi neighbourhood never seemed to get a makeover. Same lifeless saris drying from paint-chipped balconies, same suffocating incense wafting off, and same footsteps on broken stairs while she wandered indoors. Curtains hanging from window brackets danced absentmindedly while she warmed her dinner plate alone. Sat before the television watching news. The room freshener, rose or jasmine, didn’t change either. Not surprising. She’d been living with these sorts of details for unnumbered days.
**
Tara looked around inside the bus. Office folks were gone. Others were likely out to shop or pay visits. She too could go meet an old friend, call on a relative or shop somewhere. Only, it wasn’t as easy. She rarely went out on her own.
Meanwhile, darkness was descending upon the city like a mushroom, spongy and patchy with fog. Twinkling city lights began appearing, deepening the falling evening. First a hush, then a gurgling glimmer of lights, and then a broad inaudible swish – sweeping billboards started getting illuminated over the grey skyline. Streaks of cars flashed by and each light post stood guard, staring mutely down at the circle of its own shimmer. The mushroom fell like a cosmic parachute. Midway, it floated upside down, perhaps due to the changing twilight breeze. The earth below palpitated, probably from the fear of bearing the dominating weight of the dusk covering its belly in a rapturous embrace, thought Tara. Staring into the night she flipped through the pages of her life.

Twenty-two: She’s married. Laughter, music and merrymaking.

Twenty-three: She’s as fresh as the chrysanthemum in the living room vase, bursting with secret pride, fed and indulged. Tara, watch your step. Don’t lift heavy things. At the threshold of motherhood.

Twenty-four: A secret test confirms a baby girl. She’s forced to get rid of it. This family wants a male heir.


Tara shut the book. It’s too painful.

The wintry evening whirred like a panicky bug, wings stuck on the frosty glass pane of the bus. Tara clutched a little purse, a testament to her barren fortune. A cheap lipstick for lips that had lucked out of its admirer, a compulsive gambler father’s gift of a lottery ticket, a voter ID card, and a few dry petals from a stale-smelling temple where she had grudgingly prayed for a change in her fate.


Aware of the driver’s stare through the mirror, Tara fidgeted. “Madam, do you have a destination? Where are you from and where do you want me to halt,” he must be thinking. A group of teenagers giggled in a huddle. An old man with a crutch waited to get down. As the bus wobbled to a stop, loud middle-aged men with beer breath boarded the bus almost pushing the old man aside. They kept cracking bawdy jokes that tumbled down their silly paunches, unshaven cheeks, crumpled shirts and sloth manners. Tara avoided looking at them. She is not supposed to be seen alone by strangers in an unknown part of the city. Delhi is bad, often bizarre. Someone might recognise her. At the next stop, a woman climbed up with a little boy of about two years. The child, sitting right behind, kept crying. “Shut up Aman,” the mother admonished repeatedly, breaking Tara’s train of thought:

Twenty-six: She has prayed to all those gods and goddesses nestling in golden domes and heavenly canopies. But she fails again. Tara, not a daughter, no.

Twenty-seven: She’s an apparition of herself. She walks about the house in stranger’s footprints. She wants to be lucky. Tara, it’s for family honour that you must find out who inhabits your womb – a son for our only son, not a daughter.

These days her husband was away to London on a business venture. It could take a few months before he was back.


By that time, regain your health, Tara. The family chants like a pack of crazy priests. Offer food in temples, seek blessings, and eat, drink and inhale the pollen that’ll embed the male fruit in your womb.

Outside, Tara saw the mushroom had long fallen on the belly of the earth and split and morphed into a mass of dark shadows, creating fearful inky whirlpools that kept pulling Tara unto them. She felt like howling. She wished to be free and uninvaded. From those that owned her, from the bus driver’s stares in the mirror, from the drunken laughter around, and the harsh “Don’t cry Aman” of the woman behind her. To go home.

(continued...)

Monday, March 23, 2009

INNER VOICES: A Collection of Short Stories By Indian & Foreign Writers

Finally, INNER VOICES is out in print. Hurrah! It is a collection of short stories that came into being after Mirage Books, India, held a worldwide fiction contest in 2008. My short story "Tara Goes Home" was one of the winning entries and it is featured with 49 other writers from India and other countries, among them, my writer/poet friends Farahdeen Khan and Sophia Carmalin. You can order the book on amazon.com or rediff.com or from the publishers directly.

Here's the e-mail from Nikhil Khanna, one of the publishers:

Dear Contestant:
Congratulations! Your short story submitted in response to a contest announced by Mirage Books in 2008 has been published in the book titled ‘Inner Voices’.

Released this week, the book can be ordered online through
www.amazon.com or www.rediff.com. Alternatively, you can place an order for the book directly with us and get a discount of 40% on the listed price (our bulk order price). This offer is for a minimum quantity of10 books, email your address and requirements and we will let you know the shipping charges.

The book is also available at the following stores in Pune:
a) Manneys, Camp
b) The Word, Boottee Street
c) International Book Service, Deccan Gymkhana.

It will also be available at bookshops in major cities of India, along with our other titles, in the next couple of months.

We hope that you enjoy reading the book and, if possible, do get it reviewed ( blogs, magazines, newspapers etc)
Regards,
Nikhil Khanna
Publisher
Mirage Books,
Shop 4A, Mayfair Eleganza,
Phase 1, NIBM Road,
Pune – 411 048.
Phone: 020-40052498

Well, more on my work later. Meanwhile, you can order the book for yourself, libraries, book clubs etc. I'll post some excerpts from my story in a few days.

Thursday, January 15, 2009

Narcissism, Blogging and a (not-fainthearted) Resolution for 09

What have I been writing in this blog mainly? Pretty self-centric stuff, I admit. Then, what's wrong in that? Nothing. But it's true, I also wanted to write more about other issues than my own life and writing, and post more of other's works of which I've done just a little bit. Okay, no handwringing though. 2008 is over and 2009 marches on breathlessly. And I'm not the one to wallow in self-pity or whatever. I am angry about the Mumbai terror attacks, the bomb blasts in my homestate of Assam in northeastern India, and also about the reckless plundering of the Palestinian territory by Israel (the "only democracy in the middle east"? Ha!). I am worried about my parents' failing health, about getting jobs for us whether in the US or in India (need money to eat, right?), about whether Obama as the new US President will become a magic wand at all for the world's agonies, about the environment, hunger and other age-old stuff like the blunders of Capitalism that don't go away unless we work in an organized manner to keep these at bay.

I am also happy. I made new friends who give me courage; around me I have motivated people of all ages who motivate me no end, and the world is still a lovely place with its offer of love (platonic or otherwise!), trust and bonding. On a narcissistic note, I've been published in quite a few North American and Indian journals -- more poetry, a bit of fiction. This gives hope that I can get what I want. So, it might interest my blog readers to recap that:

In 2008 I have read my poetry at CSMA gallery, Ithaca, with former Tompkins County poet laureate Katharyn Machan. Probably I'll read again on January 24. I have been featured on the sites "And So I Sing: Poems and Assorted Flotsam: http://eileenmoeller.blogspot.com/2008/09/my-poem-vertical-footholds.html", "Poets who blog: http://poetswhoblog.blogspot.com/", "Birthdays of Poets: http://birthdaysofpoets.blogspot.com/" http://www.blogger.com/www.sulekha.com, and "Joy's Poetry Blog: http://joyleftowsblog.blogspot.com/" and my credits have appeared on Flor Del Concreto: http://flordelconcreto.blogspot.com/". Search by my name. Ooh, so much for self-love!

I have to thank some special people for all the help and encouragement they have lent me, sometime even without their own knowing: Joy Leftow, DubbleX, Roxanne Hoffman, Bernard Alain, Debra Castillo, Ted Wheeler, Rati Saxena, Eileen Moeller, Abhinav Maurya, John Burroughs, Farahdeen Khan, Roger DuPuis II, Tikuli Dogra, Ritu Lalit, Meena Kandasamy, Tanuj Solanki, Rhett, TMTL, Arvind Joshi, Gulnaz Sheikh, Mukti Lakhi, Aniket Alam, Sunita Bhadauria, Andrew Christ, Katharyn Machan, Anu Pujar, Parsa Venkateshwara Rao Jr, Don Coorough, Sara Marie, Subir Ghosh, Mary Gilliland, Laurie Stone, Sunil Poolani, Priti Aisola, Visi Tilak, Poonam Tanmayo, and of course my family.

Coming back to the world around, my resolution this year is to listen more, understand better and celebrate creativity from all quarters. Also, blog more meaningfully, an old promise. If I've forgotten someone or something, please remind me, please.