Ritu Lalit's blog post: We Are Like This Only

Here's this month's blogger friend's writeup from Ritu Lalit. She is a prolific writer and blogs at http://www.phoenixritu.com/. From poetry to parenting to social issues and storytelling, Ritu has style and depth. This article can be found at http://www.phoenixritu.com/2008/12/20/we-are-like-this-only/

I started reading Ritu first from her dazzling humorous comments and then went on to sample her articles that span over diverse subjects. She reads, writes, runs a family and gives her friends, real or virtual, all the feedback and support they need. What else can be more important?

Here's an excerpt: "Once upon a time, somewhere in Rural India lived a family. The Head of the Family had four wives and lots and lots of children. The girls were of course a total loss so for the interest of the story, the HOF had two sons, who were called Ram and Lakhan. The rurals are not too original. I can point out a whole lot of farming families that have sons named Ram, Lakshman, Bharat and Shatrughan or variations thereof. Of course if they have more sons, the Pandava names are roped in and once in a while a dark coloured chap is named Krishna or Gopala. However, I digress."

Tikuli Dogra's Blog: Intimate Betrayal...

It's a pleasure starting my cross-posting venture with Tikuli Dogra's blogpost "Intimate Betrayal... The Untold Trauma"
(http://tikulicious.wordpress.com/2008/11/18/intimate-betrayal-…the-untold-trauma/?the-untold-trauma/). The topic of marital rape is relevant for all times and all places, and gets little attention though.

She writes: "I had wanted to take up the issue of Marital rape for a long time now .The movie DAMAN by Kalpana Lajmi where Raveena Tondon plays the role of a marital rape victim, made me write about this heinous crime against women."

Read more by clicking on the post title or the link above.

Tikuli blogs at http://tikulicious.wordpress.com/ as tikulicious. Do check out her poems and other articles.

Cross-posts from Blogger Friends

I have earlier cross-posted poet Joy Leftow's work on my blog (and would love to do some more...). Now, apart from poetry, quite a few of my blogger friends write wonderful commentaries, essays, stories and memoir pieces. So I thought of doing this exciting thing in 2009 -- post my friends' blogs, anything they consider important or special, on my blog with a link to Facebook (for those of you who are on my Facebook contacts list). I'll be starting with Tikuli Dogra who writes poems, stories, and articles on parenting/travel/nature/social issues. Monday evening, Eastern Time, Tikuli's post will be there to read. I am excited. Aren't you all? See ya Monday then!

Eileen Moeller's "Vertical Footholds" in Kritya

Poet Eileen Moeller's "Vertical Footholds" appears in Kritya's September issue. An excellent visual poem that made me search out Eileen's blog so I can read her updates regularly. See http://eileenmoeller.blogspot.com/2008/09/my-poem-vertical-footholds.html

She is so kind to mention my contribution too. As Upstate New York 'neighbors', it was a pleasure to be published alongside her work.

Of Identity and Living in Imagined Communities

It's an interesting thought how identity works or doesn't work at all. The topic has been on my mind for a very long time, in different forms. While I write, read news and fiction, recite a poem or converse with a person, the issue comes up again and again. These are Proustian moments, in a redefined way. The triggers don't just evoke sensations from a bygone era like childhood, rather from phases in my formative years as well as my not-so-ancient adult life. I live in "imagined communities" or "imagined cultures", if I am to shamelessly borrow an academic term. Only, for me nothing is imaginary. All stand good and true.

Some time ago, when I created this blog, calling the URL "fleuve-souterrain", a few folks pouted saying, "French! But why?" Yeah, I'm not French, never aspiring to be. The reason that "fleuve-souterrain" or "the river underground" appeals to me as a nice concept has got nothing to do with French culture, language or food. True, Mo (see ABOUT ME above left) is getting his PhD in French Literature (his work is actually a mélange of literature, post-colonial geopolitics, architecture and identity issues among French, Francophone and Subcontinental milieu). Did I use mélange and milieu? Nah! But of course we know the English language has several cognates that are French? So, is his (pre)occupation influencing me? Perhaps. Perhaps not. Anyway, just because I am not French, or don't speak French like a parrot, or don't drink a daily glass of red wine and devour Camembert for breakfast-lunch-dinner everyday, does not mean I cannot have "fleuve-souterrain" as my blog URL. It's my choice. Period.

Contrarily, should I have named my URL 'bangali-naari' 'rojonigondha' or 'aabar-dekha-hobey' just because my forefathers (why don't they talk about foremothers?) happened to be Bengalis? Wait, not only Bengalis, but from the present Bangladesh, so maybe the URL should've been 'Surma-nodir-paar' or 'sylhet-shohagini' or 'bhatiali-gaan'... How absurd. But then how could I ignore my Assamese heritage and not name my blog 'nimaati-koinaa' or 'xeuji-dhoroni' or 'oxomi'? For me, the Assamese identity is as important as my Bengali identity. Maccher jhol is as tempting as tenga-anja.

And I'm not even talking about my pan-Northeastern identity (born and brought up in Assam, with relatives strewn all over Northeast India). We northeasterners love Beatles, eat akhuni or dry fish, dress Western, drink too much and women unhesitatingly sit on men's lap. Can anything be weirder? Oh, wait again, what about my 'English-speaking'/'Western-educated'/'bourgeoise brown sahib' identity? Or my '10 + years in Delhi' identity. My 'Punjabi-by-marriage' identity (there's a problem here though -- Mo's father's side is Multani from Pakistan and probably they have Jhangi connections too)? Good lord! So how far can stereotyping work?

These things don't matter really, but sometimes they put you off. For example, every time I meet people from Assam, my birthplace, and start conversing in Assamese with great delight in my heart, shoots out the inevitable question: "Ghor kot (where's your home)?" Now that's not a good translation. Ghor here means one's original village/town, either in the very urbane yet idyllic Brahmaputra Valley, or distinctly in upper or lower Assam (determining the degree of nobility in one's Assamese-hood). Without batting an eyelid I explain that my ghor is in Guwahati city (that's considered unnatural because the city is supposed to be full of aspirants, vagrants and migrants from villages and small towns of Assam) while my parents were born in what was then "East Bengal" and a very tickling family tree story (my dad has the ancient scroll) said that my ancestors were from northern India, migrated eastwards from a village by the banks of the Ganga during the golden reign of King Harshavardhana the great! Alas, no one sees the creative angle in this ethnogenetic fiction. Pat comes the remark: "Oh, but then your Assamese is very good!" Of course it is. Because I'm Assamese, from Assam and derived of all its joys and pangs. And somehow, I wonder why and how, most of these remarks come from folks sitting at elite seminar tables discussing and debating topics like identity, nationalism and integration. Jesus (I have a 'cultural' right to say that, I went to a catholic school)!

So how should I introduce myself? I drink red wine, savor Camembert, cook Thai and Lebanese, eat out Indian, love my tenga and fish, wear whatever I feel like, read in four-five languages, cherish Rabindranath and Lakshminath Bezbaruah as much as Dostoevsky and Mahmoud Darwish, spend energy on haranguing about Kashmir plebiscite and ULFA, want to strip and flog fanatics of all hue, name my blog URL a silly French nomenclature and find peace in the fact that Pakistani-Bangladeshi-Indian businesspeople outside the South Asian Subcontinent rarely fight a bitter fight. At a recent vacation in Ottawa when a family from Bangladesh figured out my still-existing ties to that country (some of my cousins live there) and the man said: "As Bengalis, it is then okay to ask you a favor," I smiled. Of course. Also, as humans, civilized folks and as people in need it is okay.

It actually felt better when while having dinner with Mo's film-maker friends Claudine and Patrice in Paris -- in the snooty St. Michel neighborhood -- Patrice very casually commented how easily I can pass of as a Mexican or Puerto Rican whereas Mo looked very "Indian"! I was tempted to quip, "Now I can tell people I just came across the fence the other day!"

So next time I hear people wondering whether I am a sworn Communist, a die-hard fish-lover, a madcap with enough 'bangali' brains, an Assam-born person with "very good Assamese", a northeasterner with "acceptable" Indian looks, a faux-Punjabi with good Hindi skills (some choice abuses I relish on occasions), an imagined-French, an always-subcontinental with stratified links all around, I'll let them have fun unless they are too eager to prove things to be such or otherwise. I dare not invoke Benedict Anderson because I'm told he is already passé and I'm still adding tags to myself. My identity.