About FOOTPRINTS IN THE BAJRA (Cedar Books, New Delhi); By Nabina Das

"Fittingly for a poet, Nabina’s novel also has a strong lyrical core. 'Footprints in the Bajra' takes the homely image of the millet field as its central metaphor. ... But the novel is less a thriller about guerrilla action than a subtly colored character study of a fascinating group of individuals who intersect at various points in their lives ..." -- DEBRA CASTILLO, author, editor and distinguished professor (Cornell University, April 17, 2010).

**
Footprints in the Bajra is a serious book that moves at a smart uncontrived pace. It voices deep concerns about how and why the deprived and the marginalized in certain parts of our country join the Maoist ranks; how they adopt desperate and often terrible measures to wrench justice and to make their voices heard... a confident debut novel, a good read, which will leave you with plenty to mull over. -- PRITI AISOLA, author (See Paris for Me, Penguin-India, 2009) in DANSE MACABRE XXXIV.

**
In her debut novel, Nabina Das writes about an India where social divides stand taller than multistoried shopping malls. Footprints in the Bajra, inspired by what she saw while touring the interiors of Bihar as part of a travelling theatre group, inquires into why the Maoists have an influence over a large section of Indian society. Das talked to Uttara Choudhury in New York about her book, and its protagonist Muskaan -- DAILY NEWS AND ANALYSIS, Mumbai, March 28, 2010.

**


"The interspersion of references from both the West and India do not clash. Shakespeare and Lazarus as reference points are brought in with ease, as also Valmiki and Goddess Chhinnamasta, and nothing jars ... The language is poetic and creates visual images of beauty and ugliness side by side." -- ABHA IYENGAR, poet (Yearnings: Serene Woods, 2010) and fiction writer in MUSE INDIA, May-Jun 2010


**
Shwetank Dubey says Nabina Das ably recreates the milieu of Maoist-infested regions of India -- Nabina Das has chosen the first person account of narrating a story from the main characters of the novel, Nora the sheherwali (urban dweller), Muskaan the rebel, Suryakant Sahay the crafty clandestine planner and Avadhut the frontrunner of all the operations... the book deals with something that no urban resident is bound to know on his own — the life and times of people living in Maoist infested areas and why do they give in to the temptation provided by the Red Brigade. -- PIONEER newspaper, April 25, 2010.
**
'"If you misrepresent them, they'll abduct and kill you," says Muskaan, our hostess'... goes the first line with which Nabina Das settles everything about her novel -- style, subject and pace... Excellent plotline. Wonderful detail. A beautifully crafted book. -- Karunamay Sinha; THE STATESMAN, Sunday supplement "8th Day", May 16, 2010.
**

"This is bitter-sweet, if a rather longish tale of a modern-day Maoist revolution and the seeds of destruction and betrayal that lie embedded in it." -- Business World, May 17, 2010
Showing posts with label news. Show all posts
Showing posts with label news. Show all posts

Saturday, October 25, 2008

Assam clashes: The communal angle came from the news media

My journalist-writer friend Subir Ghosh has taken out an exciting and deeply investigative study. Those of you who are political animals and in general are interested in the North East of India, do read the news release below. Clicking on the title of this post will take you to the detailed report, downloadable and free.

New Delhi, October 23: The ethnic clashes between indigenous Bodos and Bangladeshi migrants which broke out in Assam in the first week of October 2008 gave unnecessary importance and prominence to the “Muslim” aspect of the latter.

The finding is from a study by Newswatch, an independent online entity which monitors, collates and documents news and information pertaining to the news media and journalism. The Newswatch (http://www.newswatch.in/) probe was conducted over an eight-day period starting the day the clashes broke out (October 3). The study —Identities and descriptors: How the news media described the Assam clashes — was meant to be a qualitative analysis, and not a quantitative one. The idea was to look at the way the news media covered the issue, and not quantify the exact number of publications or news outlets that did a story, or did not. “Sectarian violence in Northeast does not always make it to the front page of newspapers. But this one did — coming as it was in the backdrop of the attacks on Christians by Hindu rightwing elements in Karnataka and Orissa, and a palpable sense of Islamophobia that seemed to be all-pervading in the aftermath of the serial blasts in Ahmedabad, Bangalore and New Delhi. The prime objective of this study was to look at how the media uses descriptors and modifiers in ethnic conflict situations,” explained Newswatch editor, Subir Ghosh.

Altogether, 597 stories published during the period were tracked down by the researchers. After leaving out duplicates (mainly because of news agency creeds), the number was brought down to 187. The next round of elimination was done to exclude non-English stories and ones that ran into 100 words or less. In the end, 138 stories were selected for the content analysis.Very few stories, it was found, desisted from naming the two communities involved in the clashes. It would be wrong to say very few “publications” did so, since different news items emanating from the same outlet used varied descriptors for the two groups of people. In other words, there seemed to be a dearth of policy when it came to naming communities or ethnic groups involved in clashes. The study found 26 sets of descriptors and modifiers which were used to describe the Bodo tribals which ranged from “local Hindus called Bodos” to “non-Muslims.” In case of Bangladeshi migrants, the number was 27, with the descriptors and modifiers varying from “Bangladeshi Muslim migrants” to “Muslim migrant settlers”. Many terms, both correctly and wrongly, were used as synonyms.

The study also looked at the use of the term “Muslim” both in the headlines as well as in the body of the copies. Seven news items (of six outlets) played up the Muslim card in the headlines. As many as 66 stories used “Muslim” to denote Bangladeshi migrants either in the first two paragraphs, or later in the copy (if this community was first introduced only in a latter part of the story concerned). Though the Bangladeshi migrants, by and large, are Muslims, the over-emphasis on the “Muslim” aspect of this particular community went a large way in adding a communal colour to a clash that was not essentially communal in nature. It was rather surprising that the coverage of a clash which left over 50 dead and rendered about 100,000 homeless, saw only 21 Bodos/Assamese/Bengalis and 8 Bangladeshi migrants being quoted in 138 stories. This filtering of voices becomes all the more lopsided given that most of the stories analysed directly or through insinuation projected Bangladeshi migrants (even mostly mentioned just as Muslims) as being the victims of orchestrated violence against them. The lopsidedness in the count of both sources and voices of the people may be gauged from the fact that almost half the stories (65) originated from Guwahati.

The report can be downloaded from here: http://www.newswatch.in/research/1754

Details of the report:

Pages: 10
Format: PDF
Colour: All-colour
Price: Free
Size: 640 KB

For more information contact: Subir Ghosh, Editor-Publisher, NewswatchTel: 0-9811316305Email: editor@newswatch.in Website: http://www.newswatch.in/

Wednesday, September 24, 2008

Other India Stories: Death penalty for Dalit murders

A court in the western Indian state of Maharashtra has sentenced six people to death for killing four members of a lower-caste Dalit family in 2006. Read more here: http://news.bbc.co.uk/2/hi/south_asia/7633128.stm in this edition of Other India Stories.

Saturday, September 6, 2008

Vogue-India: Not à la Mode


When Queen Marie Antoinette supposedly had said, "if they don't have bread, let them eat cake," about the starving French commoners during that infamous and controversial monarchical reign, she had underestimated the power of people and also, did not think much if her 'creative' quip would backfire that horribly, costing her own life. Legend may have spun this tale into something we all want to believe.

Priya Tanna is no Marie Antoinette and although being in charge of 'creative' aspects of Vogue India is something she is serious about, she is not serious about India's poverty and the way the fashion industry shape the middle class psyche, not legend but reality. She won't be guillotined for sure, but a lot of folks would want that little head of hers to think a little more humanistically.

Fascinating really is while the Indian media, of course those channels and papers that pride themselves as "mainstream", is busy producing oodles of newsprint and tape about the Indo-US Nuclear deal deliberations in Vienna, a handful of journalists are talking about a recent photo series by the fashion magazine Vogue-India. There's even a Facebook protest group.

Since the mainstream media is still dithering, let me cut to the backstory, a report in the New York Times:(http://www.nytimes.com/2008/09/01/business/worldbusiness/01vogue.html)

According to Heather Timmons, the writer, for many in India there are reasons to feel squeamish about the photos as the editorial spread seemed “not just tacky but downright distasteful” according to Kanika Gahlaut, a columnist for the daily newspaper Mail Today. She denounced it as an “example of vulgarity.” There’s nothing “fun or funny” about putting a poor person in a mud hut in clothing designed by Alexander McQueen, according to Gahlaut who spoke in a telephone interview. “There are farmer suicides here, for God’s sake” she said, referring to thousands of Indian farmers who have killed themselves in the last decade because of debt."

Priya Tanna, the editor of the fashion magazine in question, tried dismissing the notes of disapproval. “You have to remember with fashion, you can’t take it that seriously,” Ms. Tanna said. “We weren’t trying to make a political statement or save the world.”

Precisely, that's the problem. Ms. Tanna ignored the fact that in a country like India, statements, reports, photos, features, songs -- everything has a political bearing. Every crumb of bread is politically earned by a huge majority. Every slice of cake produced (I presume Ms. Tanna likes her cake) by impoverished underpaid workers translates into social and political ballot. So, to depict a poor villager who perhaps earns less than $2 a day holding a Burberry umbrella or a toothless and clearly poverty-stricken old woman cuddle an infant wearing a designer French bib is nothing but political immaturity and an unpardonable frivolous act.
Do I then say that fashion cannot and shouldn't depict the poor and the underprivileged? Why not. I love fashion, I have my own version of it and I think the established fashion houses only need employ their resources a little better to "democratize" fashion in India.

Let's back up from the pseudo-arty pretension of Vogue/Ms. Tanna and see how else fashion events can make a difference. All of us here know about the UN's recent bid to promote awareness about sanitation and the NYC event where Indian sanitation workers (mostly Dalits) walked with top models (http://news.bbc.co.uk/2/hi/south_asia/7489296.stm). Naturally, the intention of that fashion event was to make the society open up its sluggish eyes (Cosmopolitan or Bloody Mary-induced) and look at folks who have barely earned any respect for a service they have been providing to a society divided so comfortably hierarchically...

Lip service? I'd rather have folks do that than turning away from realities as if they never existed. If Vogue had an iota of concern for the people they recruited (were they paid in French bibs and Burberry umbrellas?) -- perhaps a poor farmer like thousands we hear committing suicide, an old homeless woman, her ilk neglected and discarded, a baby representing millions that don't have basic care, a young girl who symbolizes gender imbalance and female foeticide -- I'd have probably looked at their campaign with sympathy in a country where it's cruel to call this photo series anything like 'art'.
Having said that, it's a pity that quite a few people still love a war, a drought, a hungry sad face... Be it fashion or news reportage or community outreach, so many book covers/magazine covers/annual reports (of NGOs too) etc. are full of sordid images meant to sell. If you ask me, one of my favorites is that famous photo of the Afghan girl (Sharbat Gula) looking with her stunned bewildered green eyes clicked by Steve McCurry. But then, here the photographer's mission statement was clear -- exposing the brutality and uselessness of war.
What is Vogue's mission in their caricature of a campaign? Just "lighten up" as Ms. Tanna said? She should probably suggest international Vogue editions to do high-fashion photo-shoots with East European war refugees, Katrina victims, rundown Chicago neighborhoods, jobless US auto workers etc., and see the reaction. Not only lighten up, she'll sober up too. If there has to be a fashion agenda making these folks the cynosure of all eyes, there better be a good reason beyond just selling magazines.
Why boycott Vogue India? They say the circulation figure is 50,000 although I doubt about the magazine's real following. Just march to Priya Tanna's office, bombard her with e-mails and phones, post blogs and messages, so she takes both fashion and poverty seriously hereafter. As a journalist I have seen worse, as an activist I don't want to see more.
My journalist friend Subir has blogged on this issue and as he mobilizes more opinions, I shall draft all that here.

Friday, January 25, 2008

Making it to page 1 (published in Indiatogether.org)




3 October 2005 - Recently I met this lady from Chennai. To start a conversation I asked her what her occupation was. I was hoping to receive a stock reply like you often do from homely looking women in their late fifties. She surprised me by saying that she actually ran a small-scale business -- that of providing computer hardware to companies. She started to work while she was in her later 30s. She traveled from her city to other towns, combed the streets of her city, walked, rode buses, soaked in rain and endured the humid sun. Not to mention inquisitive neighbours and disdainful dissenters.



There are probably not many like her who single handedly launched a project like this and brought it up to a respectable status. “When I would reach my client’s place, they would ask: where is your man?” Revathi said. “”Here am I”, I would say as I opened up my tool box …!” “Their mouths would gape open,” she said laughingly.


Stories such as Revathi’s do not always make news in regular newspapers. It’s not typically rags to riches stuff, nor is it news of the weird. In a country where political shenanigans, hoopla on cricket or scandals seem to go down well with the morning’s cup of coffee, Revathis are usually not even on the metro page of a moderate size or even a town newspaper.


My experiences with the news coverage in places like Assam or Delhi highlighted nothing that could be put in the category of community news coverage. Community mattered when political leaders visited a ward or a municipality for a specific reason or when it was time to woo voters. Even then, assignment editors would not want the stories to be woven around the tribal farmer with his subsistence pig farm or the poor Muslim pith crafter community (whose craft is nearly vanishing).


In 1988-89, in Guwahati, Assam, where I started learning the first lessons in journalism, as any newbie would be, I used to be the jack of all trades – whether it was covering the annual book fair, writing a theater or a film review, interviewing the best school in town, attending a meeting or profiling a cultural persona. As a fledgling reporter cum subeditor, I was obviously not writing hot political stories, investigative themes or business stories. I was too new and young for all that. But I knew there were stories swarming around me – people, events and moments of life in the community. It was just that they were really not perceived as story ideas. National politics, state politics, big business and glitzy cultural news made headlines.


But an interesting aspect of this early stage was that I was also learning to edit town roundups for The Sentinel, a Guwahati English daily, where I was a sub-editor. That put me in touch with town reporters who were filing stories from towns all over Assam. These were literally barefoot reporters who would survive on a paltry salary and dream of finding the big story some day. Most of the time, I acquainted myself with their work through faxes, handwritten and mailed reports and telephone (there wasn’t any e-mail then). One such reporter from either a small town like Dhekiajuli or Bijni faxed a story about a tiger venturing into a part of the town and attacking a person or being warded off by some fearless townspeople. The story was dramatized, poorly written and obviously the reporter did not ask several necessary questions. One of my senior colleagues pinned up the handwritten report, all outrageous portions underlined, for everyone’s review. The entire newsroom resounded with guffaws.


I am pretty sure that story about the tiger attacking a human in a small town in Assam never made into that edition. May be it would, if it was higher on the death score, or the fearless town people were somebody to reckon with. Anyhow, I happened to remember this particular incident. Something told me right then that someone had to take note of that kind of town or village life and elevate it to the rank of news. But that was not happening. All our town reporters were eager to do, was to write was a big time story. Period.


News coverage in Delhi had not much exception, except that here the themes were bigger. I worked with Down To Earth - an environmental magazine -- and many years later, at Tehelka.com. My colleagues and I wrote and edited stories on environmental disasters, million-bucks deals, super cops and super stars, war with corporate giants, political parodies, scandals and apocalyptic events. The public needed godheads – different ones at different times – and villains as well, and we provided them just that. Some how, the community in question here, never seemed to take any interest in its own microcosm – or so we were made to understand.


This could have been the nature of things for all times to come but then, what is journalism without the spirit of quest and change.
I am sometimes glad that took the time to look at affairs of the world from different angles, as a student, as a journalist, a short-term teacher of language or even as an NGO worker. At the National Foundation for India (a funding agency aided by Ford Foundation), I worked closely with journalists to creating space for community/development reporting from the Northeast, Bihar, Rajasthan, and parts of South India. Those projects brought me closer to ‘real life real news’ issues.


Interestingly, during these projects, news the way it has always been changed remarkably. Especially, the northeast -- seen normally as the hub of all shades of insurgency and unrest, a trouble spot in the national canvas, a zone marked by poverty and inaccessibility, and oftentimes, fringe presence in the mainstream – emerged in a fresh new light.


I worked with reporters who wrote about farmers emerging from insurgency crisis through planned subsistence farming, women raising awareness about dangers of alcohol and drugs though door to door campaigns, communities misused by politicians coming up to voice their needs, artisans’ groups bolstering themselves against government apathy through small cooperatives, and much more. Each of these themes generated scores of stories. The Revathis of this world – from the northern badlands to the northeast and the south all had a chance to make headlines. Community news was being created, at least during those projects.


But then, this endeavour had to be pushed along, cushioned with incentives to even writers and reporters and followed up with aggressive media campaign for column space in major papers. We lobbied with newspapers in all corners of the country, especially those that did not regard community news as strong a sales indicator as politics, cricket or big ticket entertainment. Community reporting for most publications, was inside page stuff that didn't sell. We were trying to change that notion, and maybe we did, for a while.
Ithaca, a town of roughly 30,000 population in New York state, and home to Cornell University, is where my exposure to community journalism took on a special meaning.


Working with The Ithaca Journal as assistant Metro editor for the past two years has again brought me closer to the concept of community journalism. Dairy fests, bake and sales, AIDS run, firehouse fund-raisers, EcoVillage, reading partnerships, community art efforts, church missions for literacy, local farming – the list can be endless and evolving. Here community journalism was the benchmark of one’s understanding of slice Americana, how life went about in small town America in general. Often this brand of journalism could be oblivious of issues like war and peace, climate talks or globalisation. But at least in Ithaca, it all blended into a worthy mix of stories that had both local and national impact. So much so, that a small group of students lobbying to save a small patch of woodland from being turned into a parking lot in the prestigious Cornell University grabbed national press recently. The community here was extending its tentacles to life outside, to issues more complex.


Such a representation of life – through a prism that reflects intimate and seemingly commonplace events -- is not common for Indian English newsreaders. But again, efforts do exist in several vernacular media, although there too, they seldom become national headlines. Even when they make it to page 1, there has to be something more than just a community news element in it.


It will be worth trying to regenerate – or reinvigorate -- a culture of community journalism in the English newspapers in India and lobby for a greater proportion of those stories that are about local efforts. Whether it is profiling the Revathis of the world, seeing how the 73rd amendment is enacted in villages, witnessing the coming up of a local-run anganwadi for quake-stricken Kutchhi children or interviewing the village dai who now campaigns for right of the girl child and against female infanticide – which my esteemed former colleagues and I have been lucky to involve ourselves with -- community journalism only has a better future. It is a tool for reflecting empowerment and is an indicator of people's participation in a vibrant democracy like India. ⊕


Nabina Das 3 Oct 2005
Nabina Das is an Ithaca, New York based journalist.