About FOOTPRINTS IN THE BAJRA (Cedar Books, New Delhi); By Nabina Das

"Fittingly for a poet, Nabina’s novel also has a strong lyrical core. 'Footprints in the Bajra' takes the homely image of the millet field as its central metaphor. ... But the novel is less a thriller about guerrilla action than a subtly colored character study of a fascinating group of individuals who intersect at various points in their lives ..." -- DEBRA CASTILLO, author, editor and distinguished professor (Cornell University, April 17, 2010).

**
Footprints in the Bajra is a serious book that moves at a smart uncontrived pace. It voices deep concerns about how and why the deprived and the marginalized in certain parts of our country join the Maoist ranks; how they adopt desperate and often terrible measures to wrench justice and to make their voices heard... a confident debut novel, a good read, which will leave you with plenty to mull over. -- PRITI AISOLA, author (See Paris for Me, Penguin-India, 2009) in DANSE MACABRE XXXIV.

**
In her debut novel, Nabina Das writes about an India where social divides stand taller than multistoried shopping malls. Footprints in the Bajra, inspired by what she saw while touring the interiors of Bihar as part of a travelling theatre group, inquires into why the Maoists have an influence over a large section of Indian society. Das talked to Uttara Choudhury in New York about her book, and its protagonist Muskaan -- DAILY NEWS AND ANALYSIS, Mumbai, March 28, 2010.

**


"The interspersion of references from both the West and India do not clash. Shakespeare and Lazarus as reference points are brought in with ease, as also Valmiki and Goddess Chhinnamasta, and nothing jars ... The language is poetic and creates visual images of beauty and ugliness side by side." -- ABHA IYENGAR, poet (Yearnings: Serene Woods, 2010) and fiction writer in MUSE INDIA, May-Jun 2010


**
Shwetank Dubey says Nabina Das ably recreates the milieu of Maoist-infested regions of India -- Nabina Das has chosen the first person account of narrating a story from the main characters of the novel, Nora the sheherwali (urban dweller), Muskaan the rebel, Suryakant Sahay the crafty clandestine planner and Avadhut the frontrunner of all the operations... the book deals with something that no urban resident is bound to know on his own — the life and times of people living in Maoist infested areas and why do they give in to the temptation provided by the Red Brigade. -- PIONEER newspaper, April 25, 2010.
**
'"If you misrepresent them, they'll abduct and kill you," says Muskaan, our hostess'... goes the first line with which Nabina Das settles everything about her novel -- style, subject and pace... Excellent plotline. Wonderful detail. A beautifully crafted book. -- Karunamay Sinha; THE STATESMAN, Sunday supplement "8th Day", May 16, 2010.
**

"This is bitter-sweet, if a rather longish tale of a modern-day Maoist revolution and the seeds of destruction and betrayal that lie embedded in it." -- Business World, May 17, 2010
Showing posts with label caste. Show all posts
Showing posts with label caste. Show all posts

Thursday, August 6, 2009

OTHER INDIA STORIES: Dalit Women's Venture and Deep Joshi's Magsaysay Award Trampled by Rakhi's Swayamvar and Other Enlightening Stuff

Just back from India and quite a few acquaintances are asking me what struck me there other than the skin-searing heat of the summer. Well, a couple of things for sure.

Almost all summer, Indians were busy watching on cable TV a reality show called "Rakhi Sawant Ka Swayamvar" (Rakhi Sawant's Swayamvar Wedding -- roughly translated).

Rakhi, a Bollywood starlet and 'item girl' as she has been called (much to her hatred of that term), went on TV to choose her partner from among a bevy of hopefuls, hoping eventually to marry him. She chose 'swayamvar', an ancient Indian partner-preference method whereby a number of suitors assemble at the lady's place of choice and try winning her hand through a series of challenges offered to the men. She gets to test and measure the men and garlands one finally.

I too watched some snippets of the show and in snatches found Rakhi's quest outrageous and audacious. Audacious because she seemed to enjoy this 'new-found' liberatedness that Bollywood has eluded her thus far, and outrageous because she indulged in a few stupid run-of-the-mill "good wifely" things to project a certain marriageable image of herself.

Now don't tell me you are from India and you haven't peeked a boo into that show even once! Shame on you, for, even some of my PINK UNDIE campaigner (The Pink Chaddi Campaign) friends have watched her brazen realism.

So go here and enlighten yourself about Rakhi's public wedding "ek khoj" where she was short of waving her pink undie 'in your face'!

While all this went on, prominent Indian social activist Deep Joshi, who has done pioneering work for "development of rural communities", was named along with five others for the prestigious Ramon Magsaysay Award for 2009, considered as Asia's equivalent of the Nobel Prize. Joshi was being recognized for "his vision and leadership in bringing professionalism to the NGO movement in India, by effectively combining 'head' and 'heart' in the transformative development of rural communities," the Board of Trustees of the Ramon Magsaysay Award Foundation said in a press statement from its headquarters in Manila.



A masters in engineering from the Massachusetts Institute of Technology (MIT) and a Masters in Management from the Sloan School, MIT, Joshi worked with the Systems Research Institute, the Ford Foundation and has nearly 30 years of experience in the field of rural development and livelihood promotion. Read more on the website of PRADAN (http://www.pradan.net/index.php?option=com_content&task=view&id=106&Itemid=78).

Joshi's historical achievement went through very low-key airing on cable TV. After all, Rakhi Sawant was educating the public on how to get married as a liberated woman using a method documented in the mythologies.
Also, another news almost completely missed the broadcast bandwagon.

Newspaper run entirely by 'low-caste', rural women in Uttar Pradesh wins UNESCO literacy award

http://www.newswatch.in/newsblog/4539 (friend and writer Subir Ghosh provides this link on his website). Here's a portion from the report:

Writer and women’s activist Farah Naqvi, who has captured
the story in her book “Waves in the Hinterland, the journey of a newspaper”,
sums up the women’s story like this: “They have battled with their inner demons
and with the images thrust upon them by the world. Images which told them that
journalists are only educated men, demons that fed on fear and applauded and
laughed every time they failed. They have not only redefined the very male
notion of citizenship but turned the very notion of women in India on its
head.”
In the end, Rakhi's romping home with the winner from among the 16 suitors (no, she's not married yet... suspense!!) came out a far more important spectacle (!). Other smaller scandals/scoops also held sway over the TV-loving public. Anyway, post me your comments on any of the above or if there are parallels to the above anywhere else (someone mentioned "Octomum").

Tuesday, September 23, 2008

Other India Stories: Revolutionizing (almost ruining) a Rural Indian (Brahmin) Wedding

We often keep having animated discussions on this aspect of Indian society -- caste, gender, religious bigotry and related hierarchy. We meaning Mo, Shashi, Anu and me for most times. Anu runs this group blog "Time and Us" (http://castory.wordpress.com/) where she has several others comment and write, and she also cross-posts blogs and articles of relevance that debate the topic. I happen to be one of the registered "commentators" of that blog but I usually have very little to write. But when we meet face to face, a slew of anecdotes and observations flow spontaneously. This is not because I have zero stories about the Dalit experience (I am not one and can't speak on behalf of others). But caste and gender divides are all pervasive in the Indian society much as you may try to deny it. So, I do have my own share of stories that pinpoint the experience of being a "non-Brahmin", often an effective blanket term dumped on an individual in several parts of India when it comes to maintaining the power structure, exercising status quo, according social acceptance, the degree of acceptance and ritualistic adherence (if one is a practising Hindu).

This is a story I shared recently with my friends about attending a rural wedding in a Brahmin family of Uttar Pradesh, in a village called Jagdishpur. I'll call this series -- for I hope to have some more -- Other India Stories.

We were invited by our Delhi neighbor, of last name Pandey, to their oldest son's wedding. The fellow -- I'll call him UP here, how significant! -- was Mo's childhood friend and the family treated Mo like their own son, although they were Brahmins and Mo's family Khatris (I have no clue what that caste is, perhaps something to do with being a martial clan, so don't ask me to explain ... these labels come up only during socio-religious events like marriages, festivals and idle chatter by folks who have nothing better to do). Anyway, so in that respect I was considered their "bahu" or daughter-in-law.

The journey from Delhi via Lucknow to Jagdishpur itself can constitute an interesting tale. But I'll try not to digress. That we were traveling to a place totally back of beyond, was evident hour by hour. When we reached, Jagdishpur stood like a canvas of green farm fields flanked by lofty brick-and-mortar houses with erratic electricity lighting up the quaint rural scenes later at night. I was told, the farm laborers lived quite a distance away, not in the vicinity of the rich Brahmin landowner. So I didn't see any other villager there.

Soon on reaching, I became a cat among the pigeons. Without even suspecting what commotion my statements would generate, I asked to join the baraat (groom's party that goes to the bride's house to marry the boy) the next evening.

"But women never accompany men in the baraat. Never," was the terse comment that followed from the senior-most Pandey (he never appeared to talk directly, so this sort of wafted from his chamber where mostly men were assembled).

Oh, I should have realized. Women and men never ate together in these households, women never walked side by side with their men (they followed them mutely), women never sat down to tea with the men to discuss sorrow, happiness and life in general. So now that I said it, what'll happen? Precisely that's the question the Pandey women asked themselves, a little scandalized by my audacity but also hopeful that they can finally, in the 21st century, attend a wedding in the girl's house by joining the traditional baraat. One of them, UP's cousin's wife, told me privately how this was absolutely the need of the hour, breaking down this silly rule. You bet!

From indirect sources again, Mo was requested to pump some good sense into my impatient foolhardy head. But only 'requested'. He was like a son to them, he couldn't be ordered as they would have ordered a peasant. So he did not prevail over me.

I was further blacklisted, a woman who did not heed her 'lord's' words. I'm told the Pandey household, the menfolk actually, got huddled into a conference. The older women were sort of terrified, but they smiled at me, those aunts and grandmas, trying to look normal.

Meanwhile, eager to savor fresh country air, I even went to the "khet" (farmland) with UP, his brother, a young girl of seven (not yet in the 'woman' category) and Mo. Going to the khet has a terrible connotation in rural India. Later on that.

Finally the verdict came.

Yes!! We'll all go as baraatis to the bride's house. They could not turn down the request of a 'daughter-in-law'. Suddenly all the younger women in the house looked bright like sunflowers. They busied themselves in choosing the right saris, ornaments and the mehendi to be done in time. I guess I managed to break a huge taboo, but back then, I was only interested in enjoying things as one should.

Now the second part.

While the men baraatis went in a van -- smoking, a few drinking and waving to the crowd when they reached the bride's house, our van was a silent one, with very dark tainted windows all rolled up. We could see people (mostly the poor, forsaken, low-caste villagers) standing by the roadside and gesturing and blessing, but we were advised not to open the windows or respond in any manner. This was a 'law-and-order' requirement, we were told. So be it. But we were there.

I'm told the bride's family too was faced with a major quandary about how to welcome a van full of errant women (one of them a city woman, the word got around), how to sneak them inside the wedding venue without the lowly subjects spotting us, and in general how to deal with any social stigma if one might arise out of this.

I'm so glad I was blissfully unaware of all goings-on.

Only that cousin's wife whispered to me later (seeing me half-sleepy through the elaborate wedding ceremony): "You asked to come here and revolutionized the family wedding! No one can stop us after this. Don't sleep now for God's sake!"

I ... revolutionized ... a wedding? I thought I almost ruined their family event. Seeing her and others happy made me feel good. But does it take an 'outsider' always to break rigid norms? Why can't they themselves do it?

"We are daughters, daughter-in-laws and women in a high-caste household. Our society will never allow us to change things," one said.

The only man, other than Mo (UP and his father maintained a diplomatic profile) who quietly praised the adventure was UP's sister's husband, a soft-spoken man who conducted things slightly differently than his enlightened counterparts. The others, especially the senior-most Pandey of Jagdishpur, never spoke to me directly, even after the episode. When we were taking their leave, I thought of acting traditional and doing a pranam to him, to which he said rather nicely, "Daughters don't touch feet. Be happy."

I said goodbye in English then. From daughter-in-law to daughter, I did make some progress!

Will be back later with more Other India anecdotes!