About FOOTPRINTS IN THE BAJRA (Cedar Books, New Delhi); By Nabina Das

"Fittingly for a poet, Nabina’s novel also has a strong lyrical core. 'Footprints in the Bajra' takes the homely image of the millet field as its central metaphor. ... But the novel is less a thriller about guerrilla action than a subtly colored character study of a fascinating group of individuals who intersect at various points in their lives ..." -- DEBRA CASTILLO, author, editor and distinguished professor (Cornell University, April 17, 2010).

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Footprints in the Bajra is a serious book that moves at a smart uncontrived pace. It voices deep concerns about how and why the deprived and the marginalized in certain parts of our country join the Maoist ranks; how they adopt desperate and often terrible measures to wrench justice and to make their voices heard... a confident debut novel, a good read, which will leave you with plenty to mull over. -- PRITI AISOLA, author (See Paris for Me, Penguin-India, 2009) in DANSE MACABRE XXXIV.

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In her debut novel, Nabina Das writes about an India where social divides stand taller than multistoried shopping malls. Footprints in the Bajra, inspired by what she saw while touring the interiors of Bihar as part of a travelling theatre group, inquires into why the Maoists have an influence over a large section of Indian society. Das talked to Uttara Choudhury in New York about her book, and its protagonist Muskaan -- DAILY NEWS AND ANALYSIS, Mumbai, March 28, 2010.

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"The interspersion of references from both the West and India do not clash. Shakespeare and Lazarus as reference points are brought in with ease, as also Valmiki and Goddess Chhinnamasta, and nothing jars ... The language is poetic and creates visual images of beauty and ugliness side by side." -- ABHA IYENGAR, poet (Yearnings: Serene Woods, 2010) and fiction writer in MUSE INDIA, May-Jun 2010


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Shwetank Dubey says Nabina Das ably recreates the milieu of Maoist-infested regions of India -- Nabina Das has chosen the first person account of narrating a story from the main characters of the novel, Nora the sheherwali (urban dweller), Muskaan the rebel, Suryakant Sahay the crafty clandestine planner and Avadhut the frontrunner of all the operations... the book deals with something that no urban resident is bound to know on his own — the life and times of people living in Maoist infested areas and why do they give in to the temptation provided by the Red Brigade. -- PIONEER newspaper, April 25, 2010.
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'"If you misrepresent them, they'll abduct and kill you," says Muskaan, our hostess'... goes the first line with which Nabina Das settles everything about her novel -- style, subject and pace... Excellent plotline. Wonderful detail. A beautifully crafted book. -- Karunamay Sinha; THE STATESMAN, Sunday supplement "8th Day", May 16, 2010.
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"This is bitter-sweet, if a rather longish tale of a modern-day Maoist revolution and the seeds of destruction and betrayal that lie embedded in it." -- Business World, May 17, 2010
Showing posts with label Dustin Brookshire. Show all posts
Showing posts with label Dustin Brookshire. Show all posts

Saturday, October 3, 2009

CITYSPEAK -- a Poem (for once I thought I became a city!)

This was my last contribution to poet and activist Dustin Brookshire's Project Verse. Something that I wrote in a tearing hurry between power outages and a summer of 100 F + heat outside in Delhi. While I sweltered and wrote, my mind went back to New York and Chicago, mostly experienced in cooler climes :), and what they appeared to my not-too-accustomed eyes in relation to my six years of residence in the US. Actually I cheated a bit. This poem is written from a sketchy draft I already had in my mind, had probably even written down somewhere... I just resurrected it. The exercise was about metaphors and similes.

Why is the speaker a city? Why is there reference to cities as siblings? You tell me. I'm an unabashed city-lover and dweller so my opinion may be biased! Here is the poem:


Cityspeak


I didn’t have half brothers or sisters, now I do

Siblings in angst, about who grew up faster, smarter.

Macadamized heartbeats, belching, lying in the sun

bristling in the smog of hyperventilating rush hours

toenails curled inwards. That’s how we are.

Brother Chicago, from my labyrinth of freeways

I’ve seen your billboards flashing its psychedelic lure

your finger slow-motioning from the cloud tops

entwining me to your belly button deep and bright.

Your other brother or sister – that gushy half-sibling

New York is Woody Allen. Worried, glib! It arcs

a sharp tongue across Manhattan’s cacophony

rips off the rootedness of our shared metro mangrove.

Laying with its jaunty back of a brooding T-rex

Chicago squints at the waterside, not ready to budge

polishes its towering whiskers – unperturbed even in the snow.

New York slams me for calling out its name

for even thinking I could write these words –

its skyline a lost ship that hopes someone will come

anchor in its teenaged grudge. Well, let it gnaw!

Listen two cities. Don’t tell Kafka, I’ve turned into a city

unyielding, aching and stymied. Forever looking inside.

A silently gregarious square tucked into my seams.


Image from my computer: Downtown Chicago

Tuesday, September 22, 2009

My Years With Rabindranath Tagore


Activist and poet Dustin Brookshire's Project Verse gave us this assignment in the initial round -- "your first poet". This was my contribution, tell me about yours:

My Years With Rabindranath Tagore

Little Boy Courage. The Old Banyan tree.

You came to me Rabindranath
(tough name for a kid)
as playmate Rabi

On a horseback through our
childish woods of romance
mixing the monsoon rains with tunes
of leaf floats making off to the Seven Seas
between homework of grammar and spelling.

Here, Rabi, hold my hand
write that stanza
I’d read even years later
for every year the drummers are out
(still underpaid, they now sell
fake branded accessories)
teasing absent-minded autumn clouds.

Tall palm with winged-desire. Camelia my Girl.

So who said he wore a solemn beard?
Not on my book cover!
Duping the elders we must remain green –
exactly the way he called out:
My little greens, my little young shoots
and those lines are still the first to ring
the way it once did
candle-blowing sleepiness on
a power-outed summer night.

Reading Tagore in bed, living inside
the crumpled book leaves
I frolicked with my playmate Rabi
soared above static and din
(father loved Tchaikovsky
on old Radio Moscow)
also cried when
the Pilgrims drowned at sea.

Here, Rabi, take this line
let my first eyes remember that time

A drop of water. The leaf shivers.

Image from the Internet: Tagore and Einstein

Sunday, September 20, 2009

inside the body of the verse - a Poem



A poem from a set of 5 words -- "zany, velvet, debonair, limp, & exculpate". Activist and poet Dustin Brookshire's Project Verse, now reaching its end, is where I first wrote it. Here's mine, write yours!


inside the body of the verse

Bring, the velvet and the
Mousse of your hands, tell
My verse yes we are
In love with this body
Yours and mine, with our
Zany nights that jerked off
Emotions and plights

Hold, just hold tight on
To the limpness of rhymes
Before we arouse slowly again
This turn of flaccid limbs
Your flourish into the dawn
My frenzy hay-rolled just
As in old-fashioned silver-
Screen tales of our body
Our verse so debonair

Give, give me that strophe
Stroked by your lips and set afire
This song of Moulin Rouge
The body of phones in sweet pangs

Say, just whisper into my ears that
You exculpate this ecstasy spent, so
Free from glare, you and I can curl
Up in pleasure and love the words
Off pages growing on our chests.

Comments/suggestions/critique welcome!

Image from the Internet

Sunday, June 7, 2009

PROJECT VERSE—THE BATTLE BEGINS; QUAY SWAYS!


Okay, tomorrow is the day. Project Verse begins June 8. PV is supposed to be a grueling poetry competition, and fun too, designed by poet and activist Dustin Brookshire. Read his blog I Was Born Doing Reference Work In Sin to learn more about it. He has updates coming regularly under the label .

How did I know about it? Well, by browsing blogs... finding Dustin through some Facebook friends and thanking my luck I did. I even posted the initial application call -- Project Verse Seeks Applicants -- on my FB page for all else to see and join. Why did I join it? Because I felt this competition would allow me to write more and thoroughly, which I often shirk, and besides, would bring me closer to several poets' work enabling me to learn a lot more. Dustin's activism and writing itself held my interest when I first read the call notice and browsed his blog.


The inaugural Project Verse Competitors are:


Andrew Clark-Kennedy

Jennifer Werner

Robert Walker

Nabina Das

Emily Van Duyne

Micah Ling

Kristen McHenry

Niina Pollari

Emari DiGiorgio

Martin Ott

To begin with, all applicants were asked to write a note with their material based on a prompt -- Ellen Bryant Voigt: “It's all a draft until you die."

That line sure came across as challenging to me. I mean if this is what poet Bryant Voigt said about poetry, I do have a right to express my opinion before I die! The line is deep in its implications and provocative in its suppositions. And I felt adamant reading it.

This note, my own expression, a cover letter and a few unpublished poems were submitted as application material. Got to hear from Dustin that I am now one of the 10 short-listed competitors for the honors offered by Project Verse. And by the gods of poesy, isn’t this going to be one rigorous ride.

Dustin’s blogpost teases: ‘Can you write under pressure without breaking a sweat?’ Hell I can't! I’m mortally scared of competitions although well wishers say I perform well under pressure. Well, be that as it may, I think I do well only if Madame Pressure leaves me alone with my faithful laptop. Wouldn’t I be a Wall Street fatcat otherwise?

More about Dustin Brookshire: "In 2008, Dustin founded LIMP WRIST and Quarrel. He has been featured at poetry readings in Atlanta as well as Savannah, and his work has been published in numerous online magazines as well as in Atlanta's DAVID magazine. Besides writing poetry and 'cooking up' poetry projects, Dustin enjoys serving on the Atlanta Queer Literary Festival Committee, and keeping elected officials on their toes. Contact Dustin via email: dustinvbrookshire@gmail.com"

So get out the swords, sheaths and helmets. The rattle and the battle of Project Verse begins! Also, get some body sprays and room fresheners because I will be writing from the heat of Indian summer.
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The cover art above is from the current edition of Quay Journal where my poem "The First Apple Sings a Ruba'i" just came out. Although delayed for several months, this journal is a beautiful one with wonderful writings all along. Go to http://quayjournal.org/ to read mine and others' works.